THE DEVIL’S WIFE

Three recently bereaved sisters find their world rocked by a mystery man dressed all in black (save a pair of blood-red satin gloves) in Tom Jacobson’s devilishly droll period thriller The Devil’s Wife, a Skylight Theatre Company World Premiere.
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THE CAKE

Bekah Brunstetter puts a deeply personal, delightfully down-home face on the Gay-Wedding-Cake Wars in The Cake, the gifted young playwright’s latest World Premiere dramedy, another feather in director Jennifer Chambers’ and The Echo Theater Company’s multi-plumed hats.
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CONSTELLATIONS

Ginnifer Goodwin and Allen Leech lend their considerable movie/TV star power, charisma, and talent to the Geffen Playhouse Los Angeles Premiere of Constellations, Nick Payne’s brain-teasing look at the multitude of possibilities inherent in a single romantic relationship.
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NICKY

Chekhov’s melancholy antihero Nikolai Ivanov is alive and well and living unhappily ever after in today’s Palm Springs as Nicky, the titular protagonist of Boni B. Alvarez’s rewardingly adventurous reinvention of a late-19th-century Russian classic.
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ELEVATOR

Get ready for the Elevator ride of the year as Michael Leoni’s gripping, emotion-packed dramedy-in-a-lift returns to West Hollywood seven years after its eleven-month smash run had audiences coming back for more of its crowd-pleasing blend of excitement, laughter, and tears, not to mention one unexpected twist after another.
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SPECIES NATIVE TO CALIFORNIA

Imagine if Chekhov had set The Cherry Orchard in 21st-century Mendocino County and you’ve got Dorothy Fortenberry’s Species Native To California, am IAMA Theatre Company World Premiere dramedy that proves that every good story is worth a good retelling.
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THE LYONS

Ben, Rita, Lisa, and Curtis Lyons give the Lomans, the Tyrones, and the Giddenses a run for their dysfunctional family money, albeit with considerably more laughter-provoking results in Nicky Silver’s The Lyons, the latest darkly comedic bit of brilliance from The Road Theatre Company, a Los Angeles Premiere incisively directed by Scott Alan Smith.
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MIDDLETOWN

Birth. Life. Death. Infinity. Playwright Will Eno addresses all of the above in Middletown, his 21st-century response to Thornton Wilder’s Our Town, and if the Pulitzer Prize finalist tends to take quirkiness to extremes, inspired direction, design, and performances make this Chance Theater Southern California Premiere well worth a trip to Anaheim Hills.
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