Readers have been rooting for Anne Elliot and Frederick Wentworth to rekindle their long-lost love since Jane Austen’s Persuasion first hit the book stalls back in 1817. L.A. theatergoers can now follow their example as South Pasadena’s Fremont Centre Theatre debuts A.J. Darby’s 2015 adaptation, retitled The Elliots. Yes, both Darby’s play and its World Premiere production could stand some tweaking, but Persuasion fans will find much to enjoy in two hours spent with Austen’s now iconic characters.
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When was the last time you saw a contemporary teen dramedy that not only featured a pair of complex, non-stereotypical characters but added something to the genre and in its final moments left you breathless?

Lauren Gunderson’s I And You is that play, at once funny, captivating, and profoundly moving, a powerful piece of theater now getting its Los Angeles Premiere in a production highlighted by Jennifer Finch’s and Matthew Hancock’s star-making performances under Robin Larsen’s inspired direction.
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Gentlemen Prefer Blondes may have played nearly 750 performances on Broadway, turned Carol Channing into a star, featured hit songs like “Bye, Bye, Baby” and “Diamonds Are a Girl’s Best Friend,” and got turned into a Hollywood Movie Classic starring Marilyn Monroe, but when’s the last time you saw it onstage?

The answer may well be “Never,” because that’s what happens to 60something Broadway hits that aren’t Kiss Me Kate, South Pacific, or Guys And Dolls … or rather that’s what would happen without Musical Theatre Guild’s much-loved concert staged readings, the latest of which brings that “little girl from Little Rock,” aka blonde bombshell Lorelei Lee, and her brunette chum Dorothy Shaw, back to entertaining 21st-century musical life.
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“Sisters. Sisters. There were never such devoted sisters,” warbles one of the three female siblings created by playwright Melissa Ross in her crowd-pleasing new comedy Of Good Stock, though considering the squabbling going on in their Cape Cod family home at this weekend’s summer family reunion, “devoted” might not be the first word that comes to mind when describing the oh-so dysfunctionally bound Jess, Amy, and Celia.
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Little Red Riding Hood’s Big Bad Wolf was a mere puppy dog compared to the wolves that roam wild in the big city where ex-lovers/still-roommates Ben and Jack make their home in Steve Yockey’s Wolves, now getting its Orange County Premiere at Theatre Out, and though assorted Grimms’ Contes De Fées may be its inspiration, Yockey’s dark, sexy fairy tale for adults is about the farthest thing from grim.
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The webs we weave when first we practice to deceive don’t get any more tangled than the latticework of lies one couple tells another in Micah Schraft’s A Dog’s House, the latest IAMA Theatre Company World Premiere, and every bit the hilariously edgy, high-impact experience IAMA has been offering L.A. audiences for the past eight years.
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What starts out a bright and breezy odd-couple romcom turns into something considerably richer and more rewarding as the Falcon Theatre presents the West Coast Premiere of Charles Evered’s Class.
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Family relationships don’t get any more twisted than those of the dysfunctional East Texas brood who air their dirty laundry in Charlotte Miller’s high-octane comedy-drama Thieves, now getting a humdinger of a World Premiere production at the Monroe Forum Theatre inside North Hollywood’s historic El Portal.
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