GUESS WHO’S COMING TO DINNER


Impeccably acted, directed, and designed on a “CinemaScope” stage, Guess Who’s Coming To Dinner is one of Theatre 40’s finest productions ever.
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AUGUST WILSON’S RADIO GOLF


A Noise Within follows the absolutely fabulous Animal Farm with August Wilson’s most accessible play since Fences, the powerful, gripping, and often unexpectedly comedic Radio Golf.
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TO THE BONE


Pay no mind to its frustratingly cryptic and even off-putting title. Catherine Butterfield’s alternately sidesplitting/heartstrings-tugging To The Bone is not only one of the year’s best new plays, like David Lindsay-Abaire’s similarly set Good People, the Open Fist Theatre Company World Premiere will keep you guessing—and keep surprising you—from its hilarious start to its unexpected, laughter-through-tears finish.
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BEARINGS

Is it real or is are we in The Twilight Zone? One thing is for certain. Matt Chait’s Bearings will keep you on the edge of your seat for eighty-five entertaining minutes at Hollywood’s Flight Theatre.
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LAVENDER MEN


Queer playwright Roger Q. Mason explores the love that dared not speak its name between Abraham Lincoln and his “close friend” Elmer Ellsworth in Lavender Men, at once a gay American history fantasia, a very public therapy session for its self-described “black, fat, femme” author, and one of the most stunning productions in town.
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IF I FORGET


A long-simmering family feud fuels Steven Levinson’s hilarious and harrowing off-Broadway tragicomedy If I Forget, dazzlingly reconceived for the Fountain Theatre by director Jason Alexander.
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GUESS WHO’S COMING TO DINNER


Guess Who’s Coming To Dinner, the sensational latest from Santa Monica’s Ruskin Group Theatre, proves as relevant in 2022 as it was sixty-five years ago when Katharine Hepburn won the second of her four Best Actress Oscars in the ground-breaking Stanley Kramer movie classic.
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BLUES FOR AN ALABAMA SKY


Love, hate, and jealousy. Pearl Cleage’s Blues For An Alabama Sky has them all, and an abundance of laughs to boot, in Center Theatre Group’s sensatinal revival of the Atlanta-based playwright’s 1995 hit, directed by none other than its original Alliance Theatre Company star Phylicia Rashad.
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