INTO THE BREECHES!


Playwright George Brant reinvigorates the backstage comedy with Into The Breeches!, his crowd-pleasing look at a theater company that refused to go under when its male actors went off to do battle in World War II.
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NO PLACE LIKE GANDERSHEIM

A terrific cast score plenty of laughs in No Place Like Gandersheim, Elizabeth Dement’s time-traveling screwball feminist farce, but the Skylight Theatre World Premiere tries too hard to do too much for it to work the way it should.
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VANYA AND SONIA AND MASHA AND SPIKE


Christopher Durang’s trio of hilariously squabbling siblings are back (along with a sexy boy toy named Spike) in Pacific Resident Theatre’s winning take on Vanya And Sonia And Masha And Spike.
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THE BOTTOMING PROCESS

Nicholas Pilapil’s The Bottoming Process may start off as an engaging contemporary gay romcom in the same vein as Fire Island and Bros but what it ends up being is a playwright’s rancor-fueled diatribe.
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MOOSE ON THE LOOSE


A moose on the loose in an icy, snowy Northern Ontario town is all it takes for hilarity to ensue in Dina Morrone’s appropriately titled slice-of-immigrant-Italian-family-life Moose On The Loose, as laughter-and-love-packed a comedy as I’ve seen in ages.
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COLONIALISM IS TERRIBLE, BUT PHỞ IS DELICIOUS


You don’t have to be a Vietnamese food fan to fall for Dustin H. Chinn’s culture clash comedy Colonialism is Terrible, But Phở is Delicious, now getting a tangy World Premiere production at Anaheim Hills’ Chance Theater.
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IT’S ONLY A PLAY


It’s theatrical heaven for Broadway buffs this month as Theatre 40 treats audiences to the venerable Beverly Hills company’s third surefire laugh-getter in a row, Terrence McNally’s It’s Only A Play.
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UNRIVALED

I was often tickled but only occasionally engaged by the madcap antics and contemporary speak of the trio of 11th-century Japanese women whose friendship/enmity (frenmity?) Rosie Narasaki writes about in Unrivaled, now getting its World Premiere as a Boston Court Pasadena-Playwrights’ Arena co-production.
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