ROAD SHOW


You’re unlikely to see a fully-staged local production of Stephen Sondheim and John Weidman’s twice-flopped Road Show any time soon, all the more reason for those in attendance yesterday at Musical Theatre Guild’s one-performance-only concert staged reading to count themselves lucky, particularly since the nearly fully-staged “reading” turned out quite spectacularly indeed under Richard Israel’s ever imaginative direction.
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HOW TO SUCCEED IN BUSINESS WITHOUT REALLY TRYING

That go-getting whiz kid J. Pierpont Finch once again zipped his way up the corporate ladder this past Sunday as Musical Theatre West’s Reiner Reading Series dazzled yet again (and with a mere 25 hours of rehearsal) in their one-night-only concert staged revival of How To Succeed In Business Without Really Trying.
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BABES IN ARMS

Here’s a thought for schools considering yet another production of Grease, Bye Bye Birdie, or High School Musical. How about having a go at the quintessential “Hey, kids, let’s put on a show!” show, Rodgers & Hart’s Babes In Arms, and not the “sanitized, de-politicized rewrite” that debuted in 1959 but the 1937 original, political incorrectness be damned. As anyone attending Sunday’s one-night-only Concert Staged Reading at Musical Theatre West can tell you, there’s not a funnier, dancier, or more gorgeously tuneful show for up-and-coming musical theater majors to show off their triple-threat talents than Babes In Arms 1.0.

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STEEL PIER

Though I’d be hard pressed to pick just one of the fifty concert staged readings reviewed here as the Absolute Best Concert Staged Reading Ever, I can’t recall a more spectacularly staged “reading” of a Broadway musical than last night’s Reiner Reading Series staging of Kander & Ebb’s Steel Pier.
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TRIUMPH OF LOVE

Frothy Broadway musical comedy romps don’t get any frothier than the frothy Broadway musical comedy romp Triumph Of Love, a fact made amply clear last night by Musical Theatre Guild’s one-performance-only concert staged reading of the 1997 gem.
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SWEET SMELL OF SUCCESS

There’s nothing at all sweet about the sleazy, smarmy, downright despicable protagonist of Sweet Smell Of Success, the Broadway musical adaptation of the 1957 Burt Lancaster/Tony Curtis pic, which may well be the main reason the 2002 John Lithgow-starrer flopped, the last of its mere 109 performances (plus 18 previews) less than two weeks after Lithgow won a Best Actor Tony.
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BUSKER ALLEY

RECOMMENDED

A pair of stellar lead performances, a topnotch supporting cast, and direction by the musical’s original leading lady bring out the best in the never-made-it-to-Broadway Busker Alley, Musical Theatre West’s Reiner Reading Series 2013-14 season closer. Still, despite some terrific Sherman Brothers songs, it’s hard to become invested in the story of as sad sack a lead character as street entertainer Charlie Baxter, even as played with abundant pizzazz by triple-threat extraordinaire James Leo Ryan.
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THE GOODBYE GIRL

Sunday’s delightful “family-affair” concert staged reading of the 1993 Broadway flop The Goodbye Girl made it abundantly clear why, despite a stellar pedigree, the Neil Simon-Marvin Hamlisch-David Zippel musical was not destined for a long life on The Great White Way, yet proved a perfect choice for Musical Theatre West’s One-Night-Only Reiner Reading Series.
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