CAT ON A HOT TIN ROOF

Cameron Watson directs two equally sensational ensembles in Antaeus Theatre Company’s pitch-perfect intimate revival of Tennessee Williams’ Cat On A Hot Tin Roof, not only one of the finest productions now playing around town but (sound the trumpets!) the very first to grace the brand-spanking-new Kiki & David Gindler Performing Arts Center in Beautiful Downtown Glendale.
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BYE BYE BIRDIE

Glendale Centre Theatre’s terrific revival of the rock-n-rollin’ 1960 Broadway favorite Bye Bye Birdie makes at least two things abundantly clear. First, despite a number of cultural references certain to fly over the heads of whippersnappers too young for their AARP membership card, the fifty-seven-year-old Broadway smash remains younger than most musicals half its age. And second, there’s no SoCal theater better at staging musicals in-the-round than GCT.
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FOR PIANO AND HARPO


Comedian, composer, pianist, actor, raconteur, best-selling author, quiz-show guest and talk-show host—Oscar Levant was all of these and more, and thanks to writer-star Dan Castellaneta, the largely forgotten 20th-century icon returns to self-deprecating, neurotic, pill-addicted, acerbic life in Castellaneta’s entertaining, elucidating bio-dramedy For Piano And Harpo, a Falcon Theatre World Premiere.
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BLACK COMEDY

An inspired concept and some virtuoso physical comedy make the first two-thirds of Peter Shaffer’s Black Comedy a one-of-a-kind Glendale Centre Theatre treat before the laughter gets derailed by a jarring second-act tonal shift and some unexpected (and decidedly unpleasant) character twists.
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THE LITTLE DRUMMER BOWIE

Ziggy Stardust, aka The Little Drummer Bowie, is back in town, in Toluca Lake to be specific, as The Troubadour Theater Company revives its 2005 holiday musical smash with a fresh new script and a superstar lead performance by Falcon Theatre returnee (and Jersey Boy extraordinaire) Joseph Leo Bwarie in the title role.
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THE SPITFIRE GRILL

With its compelling storyline, colorful cast of small-town characters, gorgeous folk-meets-Broadway score, and much-needed message of forgiveness and redemption, James Valcq and James Alley’s The Spitfire Grill gave Musical Theatre Guild audiences ample reason to stand up and cheer (and wipe away a few tears) at last night’s one-night-only concert staged reading at Glendale’s historic Alex Theatre.
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BUYER & CELLAR

“Mem’ries” may light the corners of Broadway/TV star Jai Rodriguez’s mind, but they are neither “misty” nor “water-colored” in Jonathan Tolins’ deliciously dishy Buyer & Cellar, a revelatory showcase for Queer Eye “Culture Vulture” Rodriguez under Dimitri Toscas’ truly inspired direction.
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PROMISES, PROMISES

With songs by Burt Bacharach and Hal David, book by Neil Simon (based on a Billy Wilder cinematic classic), a 1281-performance Broadway run, and a recent B-way revival, you’d think 1968’s Promises, Promises would have merited at least one major L.A. staging in the last fifteen years. Grievously, it hasn’t, which is one big reason audiences were in for a treat at Musical Theatre Guild’s altogether groovy one-night-only concert staged reading .
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