FOR PIANO AND HARPO


Comedian, composer, pianist, actor, raconteur, best-selling author, quiz-show guest and talk-show host—Oscar Levant was all of these and more, and thanks to writer-star Dan Castellaneta, the largely forgotten 20th-century icon returns to self-deprecating, neurotic, pill-addicted, acerbic life in Castellaneta’s entertaining, elucidating bio-dramedy For Piano And Harpo, a Falcon Theatre World Premiere.
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BLACK COMEDY

An inspired concept and some virtuoso physical comedy make the first two-thirds of Peter Shaffer’s Black Comedy a one-of-a-kind Glendale Centre Theatre treat before the laughter gets derailed by a jarring second-act tonal shift and some unexpected (and decidedly unpleasant) character twists.
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THE LITTLE DRUMMER BOWIE

Ziggy Stardust, aka The Little Drummer Bowie, is back in town, in Toluca Lake to be specific, as The Troubadour Theater Company revives its 2005 holiday musical smash with a fresh new script and a superstar lead performance by Falcon Theatre returnee (and Jersey Boy extraordinaire) Joseph Leo Bwarie in the title role.
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THE SPITFIRE GRILL

With its compelling storyline, colorful cast of small-town characters, gorgeous folk-meets-Broadway score, and much-needed message of forgiveness and redemption, James Valcq and James Alley’s The Spitfire Grill gave Musical Theatre Guild audiences ample reason to stand up and cheer (and wipe away a few tears) at last night’s one-night-only concert staged reading at Glendale’s historic Alex Theatre.
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BUYER & CELLAR

“Mem’ries” may light the corners of Broadway/TV star Jai Rodriguez’s mind, but they are neither “misty” nor “water-colored” in Jonathan Tolins’ deliciously dishy Buyer & Cellar, a revelatory showcase for Queer Eye “Culture Vulture” Rodriguez under Dimitri Toscas’ truly inspired direction.
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PROMISES, PROMISES

With songs by Burt Bacharach and Hal David, book by Neil Simon (based on a Billy Wilder cinematic classic), a 1281-performance Broadway run, and a recent B-way revival, you’d think 1968’s Promises, Promises would have merited at least one major L.A. staging in the last fifteen years. Grievously, it hasn’t, which is one big reason audiences were in for a treat at Musical Theatre Guild’s altogether groovy one-night-only concert staged reading .
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I LOVE YOU BECAUSE

Inventive direction and refreshingly diverse casting are just two reasons to catch The Red Brick Road Theatre Company and Endeavor Theatre Ensemble’s terrifically performed intimate staging of Ryan Cunningham and Joshua Salzman’s musical romcom charmer I Love You Because.
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ANYTHING GOES

Reno Sweeney once again fires up the congregation with revivalist fervor (and some of the best tunes ever written) as Glendale Centre Theatre offers audiences its exhilarating revival of the 1930s Cole Porter classic Anything Goes, once again demonstrating GCT’s expertise at taking great big Broadway musicals and giving them intimate in-the-round pizzazz.
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