BRIGADOON


Musical Theatre Guild opened its two-show 2022-2023 season in kilts and plaid with a terrifically performed, one-night-only concert staged reading of Brigadoon, the musical that began one of Broadway’s most successful collaborations.
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EVERYBODY

If 90 minutes of occasionally amusing but more often longwinded philosophizing about the meaning of (among other things) Life, Love, Friendship, Beauty, Material Possessions, and Death sounds like your thing, then Antaeus Theatre Company’s Everybody, Branden Jacobs-Jenkins’ 21st-century adaptation of a 600-year-old morality play, might just be your cup of tea. It wasn’t mine.
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HAMLET


Ramón de Ocampo’s bravura lead performance, Elizabeth Swain’s insightful direction, and a striking production design are just three reasons to celebrate Antaeus Theatre Company’s return to in-person productions with their meaty, three-hour long Hamlet.
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HOW TO SUCCEED IN BUSINESS WITHOUT REALLY TRYING


After a 26-month hiatus, Musical Theater Guild returned to Glendale’s Alex Theatre on Sunday to once again do what they do best, mount a Broadway musical with just 25 hours of rehearsal, and like its pre-pandemic predecessors, How To Succeed In Business Without Really Trying succeeded in entertaining a packed house starved for MTG magic.
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JANE AUSTEN UNSCRIPTED


Impro Theatre is back with Jane Austen Unscripted, their first in-person show in two-and-a-half years, and that means “new characters, new love stories, and new escapades” twice on Saturdays and twice on Sundays under sunny Toluca Lake skies in the Garry Marshall Theatre Garden.
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SANTA CLAUS IS COMIN’ TO MOTOWN


The Troubies are back at their old stomping grounds in Toluca Lake with a fresh new take on one of their all-time favorite holiday offerings, Santa Claus Is Comin’ To Motown, and what a tune-filled, joy-packed December delight it is.
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BRIGHT STAR

Glendale Centre Theatre treats audiences to Steve Martin and Edie Brickell’s Bright Star, not only a heady mix of love, betrayal, hope, and redemption but a masterful example of how to convert a great big Broadway show from its multimillion-dollar proscenium roots to a mini-budgeted in-the-round retooling with zero loss of emotional impact.
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MEASURE FOR MEASURE

A powerful government official offers to suspend a sex offender’s death sentence in exchange for a night of love-making with the convicted man’s virginal sister.

William Shakespeare foreshadows the #MeToo movement by about four hundred years in Measure For Measure, a four-century-old play given stunning contemporary relevance by directors Armin Shimerman and Elizabeth Swain at Antaeus Theatre Company.
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