ELEVATOR

Get ready for the Elevator ride of the year as Michael Leoni’s gripping, emotion-packed dramedy-in-a-lift returns to West Hollywood seven years after its eleven-month smash run had audiences coming back for more of its crowd-pleasing blend of excitement, laughter, and tears, not to mention one unexpected twist after another.
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LUCKY STIFF

“Something Funny’s Going On” this month and next as Actors Co-op treats audiences to the delightful musical comedy bonbon that is Lynn Ahrens and Stephen Flaherty’s Lucky Stiff.
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PURE CONFIDENCE

Pure confidence is just one of the qualities distinguishing Simon Kato from his fellow Kentucky slaves in the year 1860. Another is the champion jockey’s talent for winning any race he sets his mind to, and these days what Simon wants to win (or more precisely to buy) is his freedom.

Welcome to the world of Carlyle Brown’s Pure Confidence, the latest from Lower Depth Theatre Ensemble and quite possibly the most purely entertaining (and elucidating and emotionally powerful) show in town.
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MACBETH: REVISITED

Shakespeare’s Scottish Play is back, in streamlined form, as The New American Theatre debuts Macbeth: Revisited, and if the newfangled title suggests a more radically rethought Macbeth that this one actually is, director/star Jack Stehlin and his company of actors do indeed deliver the bloody goods.
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CAT’S PAW

Suspense dramas don’t much more edge-of-your-seat nor subject matter more hot-button than William Mastrosimone’s 1986 eco-terrorism thriller Cat’s Paw, updated by the author in 2011, more relevant than ever in 2017, and the terrific latest from Actors Co-op.
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STILL LIFE

Questions of love and mortality propel Still Life, Alexander Dinelaris’s mostly compelling look at a couple of damaged souls with a shared belief in death’s imminent arrival, a Rogue Machine West Coast Premiere that proves most effective when centering on its two leads, stunningly portrayed by Laurie Okin and Lea Coco.
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33 VARIATIONS

Actors Co-op’s intimate revival of Moisés Kaufman’s 33 Variations is not only one of the year’s finest 99-seat productions, it is among the all-time best I’ve seen at the Co-op since first discovering the Hollywood theatrical gem over two decades ago.
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DIE, MOMMIE, DIE!


Silver screen goddess Angela Arden lives again in Celebration Theatre’s hilariously over-the-top revival of Die, Mommie, Die!, Charles Busch’s affectionately acidic tribute to the bevy of fading female icons who made their last defiant stand in 1960s La La Land.
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