THE NOTEBOOK THE MUSICAL


Exquisitely staged and performed, the best-selling novel-turned-movie blockbuster-turned Broadway crowd-pleaser The Notebook The Musical, now visiting the Pantages, is the most unabashedly romantic musical since The Bridges Of Madison County, not coincidentally another Nicholas Sparks novel-turned-Hollywood blockbuster, and I loved every gloriously sung and heartstrings-tugging moment of it.
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A VERY DIE HARD CHRISTMAS

The tenth incarnation of Theatre Unleashed’s A Very Die Hard Christmas, Josh Carson’s deliciously clever spoof of the Bruce Willis megasmash as seen through a Saturday Night Live lens (with puppets and songs thrown in for hilarious measure), may lack the production design pluses of its earlier North Hollywood incarnations, but the laughs keep coming fast and furious at Hollywood’s Hobgoblin Playhouse as part of this year’s Frosty Fest.
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WHO’S HOLIDAY

Cindy Lou Who is all grown up and peppering her rhyming couplets with enough 4-letter words to make a sailor blush as Anica Petrovic delivers the most dazzling of solo star turns in Matthew Lombardo’s Who’s Holiday at Hollywood’s Hobgoblin Playhouse.

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STEREOPHONIC


If you’ve ever wondered what it would have been like to be a fly on the wall when Fleetwood Mac spent seven tumultuous months recording Rumours, the next best thing to your wish has come true in David Adjmi’s multiple-Tony winning play à clef Stereophonic.
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SUFFS

Women’s History Month may not be until March but there are lessons to be learned in Suffs, Shaina Taub’s imperfect but educational and ultimately stirring double-Tony-winning musical about the women’s suffrage movement of the early 20th century.
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ALICE BY HEART


The off-Broadway critics got it right when they called Alice By Heart’s book muddled, but that didn’t bother me a bit last night, so captivated was I by the impressive production it has been given by MouthBone Theater Company.

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LE SWITCH


It’s love at first sight (but will there be a happily ever after?) for marriage-phobic David and the irresistible Quebecois he meets on a bachelor party trip to Montreal in Philip Dawkins’ very funny and very romantic Le Switch, now charming audiences at the Broadwater Blackbox.
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ONCE UPON A ONE MORE TIME

A heaping helping of music video-style dance numbers and over twenty of Britney Spears’ Greatest Hits go a long way towards keeping the audience at Jaxx Theatricals entertained for two and a half hours, but minus multi-million-dollar Broadway production values, Once Upon A One More Time’s book-related shortcomings are harder to ignore in its AEA Showcase Los Angeles Premiere.
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