3: BLACK GIRL BLUES


TV star Danielle Moné Truitt returns to her stage roots with 3: Black Girl Blues, an alternately hilarious and devastating one-woman show about a trio of grade school best friends whose lives follow drastically different paths from their teen years on.
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THE BOTTOMING PROCESS

Nicholas Pilapil’s The Bottoming Process may start off as an engaging contemporary gay romcom in the same vein as Fire Island and Bros but what it ends up being is a playwright’s rancor-fueled diatribe.
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A NEW BRAIN


Gender-expansive casting revitalizes William Finn’s New Brain, now being given the most gloriously imaginative of intimate revivals by Celebration Theatre at the Los Angeles LGBT Center.
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HAIRSPRAY


Hairspray remains as fresh and fabulous at the ripe old age of 21 as it was when it made its Broadway debut back in 2002, and if you doubt my words, check out the spiffy National Tour now stopping at Hollywood’s Dolby Theatre.
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TORNADO

Three very different women comb the wreckage of a devastating natural disaster in Chris Cragin-Day’s Tornado, a largely engaging Actors Co-op World Premiere, but one that ties things up rather too abruptly to be entirely satisfying.
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BATTLESONG OF BOUDICA


Fans of those sword-and-sandal epics that made bodybuilders like Steve Reeves and Gordon Scott action-movie stars in the late-1950s and early-1960s won’t want to miss Christopher Williams Johnson’s Battlesong of Boudica, now thrilling audiences with Jen Albert’s almost nonstop fight choreography at Hollywood’s Hudson Backstage Theatre.
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THE HUMAN COMEDY


Smalltown America circa WWII has rarely been brought to life as charmingly and powerfully, or staged as imaginatively as it is in Actors Co-op’s captivating World Premiere adaptation of William Saroyan’s The Human Comedy.
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NIMROD

Criminal Minds’ Kirsten Vangsness steals every scene she’s in as our 45th president seen through a farcical Shakespearean lens in Phinneas Kiyomura’s Nimrod, a wild and wacky Theatre of NOTE World Premiere that’s a bit too all over the place to truly hit the mark.
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