THE FIRST GENTLEMAN

There are some terrific songs and performances in Torrance Theatre Company’s The First Gentleman, but the musical itself feels like it’s getting its World Premiere about 20 years too late.
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ANASTASIA


Anastasia The Musical provides a glorious close to the 2025-2026 La Mirada Theatre season as a Disney-style animated flick for the kiddies gets transformed into an epic romantic musical for grown-ups blessed by one fabulous performance after another and the most gorgeous costumes and cinematic backdrops in town.
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HELL’S KITCHEN


Coming of age has rarely been brought to life on the musical theater stage as movingly or exhilaratingly as it is in Alicia Keys’ Hell’s Kitchen, now bringing L.A. audiences to their feet at the Hollywood Pantages Theatre.
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BRIGADOON


Alan J. Lerner and Frederick Loewe’s Brigadoon gets a long overdue makeover at the Pasadena Playhouse, one that updates Lerner’s creaky book while not changing a note of the musical theater classic’ gorgeous score, and the result is the most glorious of revivals.
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LITTLE SHOP OF HORRORS


I’ve attended a whopping sixteen productions of the iconic horror comedy rock musical Little Shop Of Horrors, but seeing it “dancified” at the Lineage Performing Arts Center made me feel I was experiencing the off-Broadway camp classic for the very first time.
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DISNEY THE LITTLE MERMAID


Under the sea is the place to be and in-the-round is the way to experience its many magical wonders in The Nocturne Theatre gorgeously designed and swimmingly performed arena staging of Disney The Little Mermaid.
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THE SOUND OF MUSIC


The ultimate family musical is back in Los Angeles and filling the Hollywood Hills-adjacent Pantages Theatre with The Sound Of Music as the 1959 Broadway classic pays L.A. a three-week visit under the inspired direction of three-time Tony winner (and bona fide National Treasure) Jack O’Brien.
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MILLENNIALS ARE KILLING MUSICALS

There is so much talent on the Colony Theatre stage that it’s a shame they’re not starring in a better show than Nico Juber’s deceptively titled and almost certainly not New York-bound Millennials Are Killing Musicals.
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