ANNIE


Even the grimmest of economic times can inspire the most cheerful, delightful, and tuneful of musical comedy treats. Case in point, the Broadway musical smash Annie, now spreading Christmastime tidings of hope and joy at Hollywood’s Dolby Theatre.
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OKLAHOMA!


Forget every Oklahoma! you’ve ever seen. Forget everything you’ve ever heard or said or thought about the 79-year-old classic. Director Daniel Fish’s radically revisionist revival of the Broadway musical that reinvented the genre back in 1943 now feels every bit as revolutionary in 2022 as Rent did in 1994, Spring Awakening in 2006, and Hamilton just a handful of years back.
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THE PROM

A gaggle of liberal-minded Broadway narcissists descend on conservative Middle America to aid an Indiana teen who just wants to dance in public with the girl she loves in The Prom, the multiple-Tony-nominated musical that now ranks sky-high on my list of 21st-century favorites.
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MOULIN ROUGE! THE MUSICAL


Sumptuous and spectacular and filled with as many instantly recognizable pop hits as in four or five jukebox musicals put together, Moulin Rouge! The Musical is all this and more.
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PRETTY WOMAN THE MUSICAL

Pretty Woman The Musical has arrived at Hollywood’s Dolby Theatre for a three-week run, and if you love the 1990 movie it’s based on as much as I do, I can pretty much guarantee you’ll enjoy its Broadway adaptation. Just don’t expect the First National Tour’s leading lady to fill Julia Roberts’ thigh-high boots.
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ANDRÉ & DORINE


Not a single word needs to be spoken for Spain’s Kulunka Teatro to make theatrical magic with André & Dorine, now paying an all too brief visit to The Los Angeles Theatre Center in Downtown L.A.
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COME FROM AWAY


The 2017 Broadway Tony winner Come From Away has returned to the Ahmanson Theatre for a two-week run, once again proving that heroism, humanity, and heart can triumph over terror. Not only that, but this supremely feel-good musical remains one of the best directed and most powerfully performed National Tours I’ve seen in many a year.
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HADESTOWN


Like Rent, Spring Awakening, and Hamilton before it, Anaïs Mitchell’s Hadestown, the 2019 Tony winner for Best Musical, revitalizes the genre in the most electrifyingly original of ways.
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