PERFECT WORLD


Barbara Follett had two novels published before she turned 15. Then, at the age of 25, she disappeared and was never heard from again. Her life now forms the basis of Perfect World, a promising new bio-musical being given the most polished of World Premieres at the El Portal Theatre.
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MY SPIRITS SOAR

Rising L.A. stage star Abigail Stewart and Daytime Emmy nominee Kevin Spirtas light up the stage in Doug Haverty and Adryan Russ’s entertainingly old-fashioned romantic musical comedy My Spirit Soars now playing at The Group Rep.
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OTHERKIN

If fantasy fiction is your thing, or you grew up playing Dungeons and Dragons, N.T. Vandecar’s Otherkin might be right up your alley. If not, only the play’s more human elements are likely to grab you.
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RAGTIME

Some fine lead performances and plenty of soaring full-cast harmonies shine in Actors Repertory Theater of Simi’s restaging of the Broadway classic Ragtime, but the move from the intimate Simi Valley Cultural Arts Center to the far larger El Portal Theatre mainstage proves more a minus than a plus.
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INTO THE WOODS


Wisteria Theater Company reimagines Stephen Sondheim and James Lapine’s Into The Woods as seen through the eyes of a child and the result is a production so sparklingly new, I felt almost as if I were experiencing the Broadway musical classic, one I’ve now seen in a whopping 24 productions, for the very first time.
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SUDDENLY LAST SUMMER

Even a minor Tennessee Williams play like Suddenly Last Summer deserves far better than the misbegotten revival the 1958 one-act is being given at North Hollywood’s Whitmore-Lindley Theatre.

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THE HEIDI CHRONICLES


Playwright Wendy Wasserstein encapsulates a quarter century of the American women’s movement as she recounts the Life and Loves of Heidi Holland in her Pulitzer Prize-winning dramedy The Heidi Chronicles, now being given an absorbing, illuminating 37th-anniversary revival at the Group Rep Theatre.

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XANADU


Wisteria Theater Company makes it five hits in a row with their zestfully entertaining take on Douglas Carter Beane’s 2005 Broadway treat Xanadu, itself a textbook example of how to turn a movie lemon into multiple Tony-nominated lemonade.
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