BISEXUAL SADNESS


A bi woman about to marry the man of her dreams fears losing the community of gay women who welcomed her during her lengthy relationship with a lesbian in India Kotis’s Bisexual Sadness, a laughter-and-drama-packed Road Theatre World Premiere guaranteed to get you thinking and talking about sexuality and gender in new and unexpected ways.
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LOVE AMONG THE RUINS


Star power lights up the El Portal stage in Love Among The Ruins, as delectable an evening or afternoon of live theater as any playgoer could wish for.
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ROOM SERVICE

Sluggish pacing drags down the Group Rep’s 2023 revival of John Murray and Allen Boretz’s Room Service despite a delightful first act and a number of snappy performances.
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GROUP THERAPY


A therapist’s waiting room provides No Exit for two impatient patients—and the sudden arrival of a third individual makes things a whole lot dicier—in Group Therapy, Peter Lefcourt’s latest World Premiere gem, a guest production at North Hollywood’s spiffily refurbished Theatre 68 Arts Complex.
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THE LARAMIE PROJECT

An impressive, gender-bending cast salute Matthew Shepard’s memory in The Laramie Project, Moises Kaufman’s powerful examination of the aftermath of the gay Wyoming university student’s murder, though the Hollywood Fringe Festival look it is given at the Group Rep does the play no favors.
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SCINTILLA


A grown son’s visit to his semi-estranged mother’s woodsy abode soon turns into a matter of life or death as a raging forest fire advances in their direction in Scintilla, Alessandro Camon’s gripping, suspenseful gut-puncher of a Road Theatre Company World Premiere.
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PROMISES, PROMISES

A pair of thoroughly winning romantic leads brighten The Group Rep’s 99-seat revival of the 1968 Neil Simon-Burt Bacharach-Hal David Broadway hit musical Promises, Promises, though an instance of historically incompatible gender reassignment does the production no favors.
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DI LADY DI


Serendipitously timed to coincide with the arrival of Season Five of Netflix’s The Crown, the pre-Thanksgiving return engagement of Di Lady Di makes it abundantly clear why Charlotte Munson’s cleverly titled solo bio-musical was named Best Musical at Hollywood Fringe Festival 2022.
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