THE HEIRESS


The Heiress may have reached the ripe old age of sixty-five, but you’d hardly know it from the latest revival of Ruth and Augustus Goetz’s 1947 Broadway hit, adapted from Henry James’ classic novel Washington Square and currently engrossing and delighting audiences in equal measure at the Pasadena Playhouse.
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REBORNING


The past continues to haunt the present of the two women whose lives intersect in Zayd Dohrn’s powerful personal drama Reborning, now getting its Southern California Premiere—and only its second production—at Orange County’s illustrious Chance Theater, with Resident Artists Casey Long, Jennifer Ruckman, Karen Webster doing some of their best work ever under Artistic Director Oanh Nguyen’s inspired direction.
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THE FIX


When Senator Reed Chandler dies in flagrante delicto, his Spiderwoman of a widow and his embittered, crippled brother connive to make the Senator’s handsome but dim son the next President of the United States.

No, this isn’t an upcoming Meryl Streep flick or nighttime network series created to coincide with this election year, though it well could be. It is instead the setup that John Dempsey and Dana P. Rowe use to open their highly topical and equally entertaining musical The Fix, now getting its official West Coast Premiere at Long Beach’s International City Theatre (though Angelino theater buffs will recall its Musical Theatre Guild’s one-night-only concert staged reading our last big national election year).
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THE GIRL MOST LIKELY TO


By day, he is a schoolteacher in the Philippines. By night, he becomes the gowned and bejeweled drag entertainer known to all Luzon as Mama Cid.

Across the world, an American high schooler dons girls’ clothes too, but for a very different reason. “This is how I have to be,” he tells his mother. “Otherwise I die.”

Playwright Michael Premsrirat takes these two characters—separated by an ocean and several decades—and ties their stories together quite extraordinarily in The Girl Most Likely To, now getting its World Premiere production under the truly inspired direction of Jon Lawrence Rivera.
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ELTON JOHN & TIM RICE’S AIDA

RECOMMENDED
At any time in the 20th Century, if you’d asked a theatergoer to say the first word to pop into his or her head upon hearing the name Aida, chances are it would have been “opera” or “Verdi” or some other classical music reference. Then came the year 2000, and the smash Broadway hit of the same name, and a whole new bunch of word associations were born—composer Elton John, lyricist Tim Rice, original star Heather Headley, replacement stars Toni Braxton and Deborah Cox, “Written In The Stars” (the hit single by John and LeAnn Rimes), or any number of more contemporary references. These days, when you talk about Aida, more than Verdi’s heroine comes to mind.
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THE BEWILDERED HERD


Among political commentator Walter Lippmann’s best known quotes is the following: “The public must be put in its place…so that each of us may live free of the trampling and the roar of a bewildered herd.” In other words, if you want democracy to work, you’ve got to control the minds of the masses, something which political consultant Charlie “Bingo” Bingham, the (anti)hero of Cody Henderson’s World Premiere The Bewildered Herd knows only too well. You might even call it Bingo’s mission in life to keep the bewildered herd (i.e.  the people in his life—and you and me) in line.
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JERSEY SHOREsical: A Frickin’ Rock Opera

RECOMMENDED
Imagine if the cast of MTV’s Jersey Shore decided to put on a musical about their lives. Then imagine that the cast of Jersey Shore actually had enough talent to put on a musical about their lives. What you’d end up with would likely be something a great deal like JERSEY SHOREsical: A Frickin’ Rock Opera, now playing at the Hayworth Theater following its Best Ensemble Award-winning run at the New York Fringe Festival.
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THE BUNGLER


When you hear the name Moliere, it’s likely that The Bungler, one of the 17th Century playwright’s earliest comedies, will not make the list of titles coming to mind. Still, if A Noise Within’s production of this little-known gem is any indication, The Bungler (aka L’Etourdi) is one of the French master’s funniest confections—or so it would seem as conceived by director Julia Rodriguez-Elliott.anselm
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