hey brother

A 20something Asian-American adoptee fantasizes about the sibling she might possibly have in China as a pair of North Carolina brothers find their real-life relationship considerably thornier than the one she can only imagine in Bekah Brunstetter’s World Premiere dramedy hey brother, the terrific latest from the company of young artists who call themselves Fresh Produce’d L.A.
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Into The Woods is back in town again, the musical’s long-awaited film adaptation’s upcoming Christmas Day opening certain to inspire more ITW revivals than have been seen locally in years and years … and leave L.A. theatergoers scratching their heads wondering which of the bunch to see.

For this reviewer, at least, the answer is simple. Head on over to Beverly Hills’ ritzy Wallis Annenberg Center For The Performing Arts to catch the Oregon Shakespeare Festival’s Summer Of 2014 smash revival, now spending the holiday season indoors at the Wallis after four SRO months under the Ashland, Oregon skies.
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Little Fish Theatre does everything right in their pitch-perfect revival of William Inge’s Bus Stop, the finest of the dozen-and-a-half productions I’ve reviewed at San Pedro’s little gem of a theater, and one absolutely worth a drive down Port Of Los Angeles way.
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Alan Menken & Lynn Ahrens’s gorgeous songs are the best of quite a few reasons to catch Actors Repertory Theatre Of Simi’s holiday production of Charles Dickens’ A Christmas Carol despite the disservice its multitalented hometown cast is done by some sour notes emanating from the orchestra pit.
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The season’s brightest, bounciest, and most crowd-pleasing musical surprise turns out to be Colette Freedman and Nickella Moschetti’s Serial Killer Barbie, hardly the splatter fest its catchy albeit misleading title might suggest, but a show that anyone who’s gone through the 12 rounds that are Elementary, Middle, and High School can identify with and cheer.
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A dashing English WWII fighter pilot. A handsome Hollywood film star. The pilot’s actress wife who loves them both. Could any triangle be more ripe for romantic drama than the threesome at the heart of Terence Rattigan’s 1942 stage hit Flare Path, rescued from obscurity by a 2011 West End revival and now being given a spiffy, seven-decades-awaited Los Angeles Premiere by Beverly Hills’ Theatre 40?
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There may not be snow on the ground down Escondido way this month or next, but with Winter Wonderettes spending the holidays at the Welk Theatre, the marvelous (and wonderful) quartet’s trademark blend of comedy, harmony, nostalgia, and seasonal melodies turn the San Diego-adjacent resort’s year-round green grass and blue skies into the next best thing to a traditional White Christmas.
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A 1920s silent movie classic + 21st-century techno-punk-rock with an operatic twist + some of the most exciting contemporary dance moves you’re likely to see on a Los Angeles theater stage = Vox Lumiere–The Phantom of the Opera, Kevin Saunders Hayes’ latest thrilling mash-up of all of the above.
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