OUR TOWN

Deaf West Theatre and Thornton Wilder prove a match made in heaven as Pasadena Playhouse debuts an exquisite seventy-ninth anniversary revival of Wilder’s classic bit of Americana, Our Town, as it has quite literally never been staged before.
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THE MADWOMAN OF CHAILLOT

A cabal of super-wealthy corporate execs conspire to drill for oil deep under the cafés and museums and monuments of Paris, environmental consequences be damned, in Jean Giraudoux’s The Madwoman Of Chaillot, the latest bit of theatrical alchemy from A Noise Within.
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AMERICAN HOME

Homeownership dreams come true, then fall apart in Stephanie Alison Walker’s overly ambitious American Home, whose intriguing premise and promising opening scenes soon develop into an excessively populated, tonally uneven, insufficiently involving World Premiere dramedy.
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SHOUT SISTER SHOUT

The cast is sensational as all get-out and the life story they have to tell, that of Rosetta Tharpe (1915-1973), is well worth a stage or screen bio, but the late great gospel/R&B pioneer deserves far better than the ill-conceived World Premiere musical Shout Sister Shout.
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HOLD THESE TRUTHS

The time could not be riper for Jeanne Sakata’s Hold These Truths to make its powerful, compelling, inspiring Pasadena Playhouse debut, the extraordinary tale of one American’s fight for his inalienable rights at a time when his own government wished to deny them.
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THE HOUSE IN SCARSDALE: A MEMOIR FOR THE STAGE

A disowned playwright embarks on a quest to uncover his dysfunctional family’s long-buried truths in Dan O’Brien’s powerful, poetic autobiographical memory play The House In Scarsdale: A Memoir For The Stage, now being given a superbly acted, directed, and designed World Premiere Production at The Theatre @ Boston Court.
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MAN OF LA MANCHA

Stunningly staged and strikingly redesigned, A Noise Within’s Man Of La Mancha takes a half-century-old musical theater classic and gives it 21st-century relevance while reminding audiences why the 1965 Best Musical Tony winner has stood the test of time in a way the same year’s Skyscraper, Pickwick, and It’s A Bird…It’s A Plane…It’s Superman have not.
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AH, WILDERNESS!

A New England teen does considerable growing up over the course of thirty-six midsummer hours in Ah, Wilderness!, Eugene O’Neil’s timeless bit of early twentieth-century Americana, delightfully revived by A Noise Within in a production that could only have been improved by the casting of an age-appropriate lead.
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