FUNNY GIRL

RECOMMENDED

The musical that made Barbra Streisand a Broadway superstar is back, and if 1964’s Funny Girl doesn’t hold up nearly as well as its mid-‘60s competitors Hello, Dolly!, Fiddler On The Roof, and Man Of La Mancha, its latest Southland revival proves an enjoyable season opener for Inland Valley Repertory Theatre.

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SALOME

RECOMMENDED

You may love it, you may hate it, you may leave the theater scratching your head and wondering “WTF was that about?” … but one thing is certain. There’s nothing else in town quite like the “militantly erotic epiphany for the 21st Century” that is Christopher Adams-Cohen’s Salome, the playwright/actor’s “radically queer reinvention of the ancient tale of [you guessed it] Salome.”
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FOREVER HOUSE

RECOMMENDED

An authentically written, believably acted gay couple, a supporting cast mostly out of sitcomland save one refreshingly non-stereotypical evangelical, a sudden life-altering cataclysm, an overwrought detour into solo performance territory, and an apparent case of demonic possession inside a fixer-upper Craftsman-style house just outside L.A. add up to one decidedly disjointed dramedy in Tony Abatemarco’s Forever House, now getting its World Premiere at Los Feliz’s Skylight Theatre.
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EMPIRE THE MUSICAL

RECOMMENDED

A pair of stellar lead performances, a sensational young ensemble executing director-choreographer Marcia Milgrom Dodge’s thrilling dance moves, and the fascination already built into the story behind the construction of NYC’s most iconic landmark are the best reasons to catch Empire The Musical at La Mirada Theatre For The Performing Arts, though its producers’ exhortation to “See it before it goes to Broadway” is, at least as things stand now, wishful thinking.
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TIMESHARE

RECOMMENDED

A ragtag sales staff’s attempts to convince would-be buyers to take a chance on the proverbial “deal of a lifetime” add up to a series of wild-and-wacky Act One vignettes till a pre-intermission plot twist sends Steve B. Green’s World Premiere comedy Timeshare into darker, somewhat less successful territory.
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ANOTHER ANTIGONE

RECOMMENDED

A.R. Gurney’s smartly comic look at university life (and the Greek classics) circa the late 1980s gets a welcome if imperfect revival at The Group Rep, one that could benefit from a more assured directorial vision and a more credible female lead performance.
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THE JEW WHO SAVED CHRISTMAS

RECOMMENDED

The jokes may be broad, the characters stereotypical, and performances far from nuanced, but Andy Shultz’s The Jew Who Saved Christmas!, the latest from Zombie Joes Underground Theatre Group, does precisely what a comedy is supposed to do—it makes you laugh.
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PETER PAN AND TINKER BELL – A PIRATES CHRISTMAS

RECOMMENDED

The distinctively English form of musical entertainment known as Panto is back for its fourth annual visit to the Pasadena Playhouse as Lithgoe Family Productions bring Southland audiences their delightfully performed and choreographed Peter Pan And Tinker Bell – A Pirates Christmas, a surefire child-pleaser, albeit one less likely than pantos past to attract audiences thirteen and older.
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