STROKE OF LUCK

Farley Cadena, whose scene-stealing performances as Singin’ In The Rain’s Miss Dinsmore, The Producers’ Hold-Me-Touch-Me, and Bye Bye Birdie’s Doris MacAfee have made her a SoCal musical theater treasure now gets the center-stage star vehicle that has long been her due in Stroke Of Luck (or how my brain broke & I crawled my way back), her inspired, inspiring one-woman show.
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SWANSONG

Australian powerhouse André de Vanny does tour-de-force work as a mentally and emotionally disabled young Irishman in Connor McDermottroe’s one-man play Swansong, a star turn almost as exhausting for de Vanny to perform as the Australian Theatre Company/Skylight Theatre Company West Coast premiere is to experience.
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JACKIE UNVEILED

Saffron Burrows grants Wallis Center For The Performing Arts an up-close-and-personal, warts-and-all tête-à-tête with one of the 20th century’s most famous, most speculated about, and most enigmatic of legends in Jackie Unveiled, Tom Dugan’s gripping, elucidating look at the woman who was Jacqueline Bouvier Kennedy Onassis.
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SIX CHARACTERS IN SEARCH OF A PLAY

Del Shores, the man who introduced the world to Sordid Lives, Southern Baptist Sissies, and Daddy’s Dyin’: Who’s Got the Will?, now treats Celebration Theatre audiences to Six Characters In Search Of A Play brought to rib-tickling, side-splitting, occasionally tear-coaxing life by the playwright in one-man-showman mode.
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LAS GARCÍA

A radiant, mesmerizing Gabriela Ortega tells two tales, one her own, the other that of her Dominican grandmother Cristina in Civil War-torn Santo Domingo, Dominican Republic circa 1965 in her captivating 50-minute solo show Las García, though Ortega makes it clear early on that she won’t be letting the truth “get in the way of a good story.”
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I AM NOT A COMEDIAN … I’M LENNY BRUCE

Ronnie Marmo brings the ground-breaking standup comic legend Lenny Bruce back to scabrously funny, heartbreakingly poignant life in I Am Not A Comedian … I’m Lenny Bruce, the latest from Theatre 68.
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LOVE IS A DIRTY WORD

Plenty of actors have stories to tell, and plenty of those may be as solo-show-ready as Giovanni Adams’ tale of growing up black and “sissy” in Jackson, Mississippi, but few end up as exquisitely written, stunningly performed, and strikingly designed as the Yale University grad’s World Premiere Love Is A Dirty Word.
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HOLD THESE TRUTHS

The time could not be riper for Jeanne Sakata’s Hold These Truths to make its powerful, compelling, inspiring Pasadena Playhouse debut, the extraordinary tale of one American’s fight for his inalienable rights at a time when his own government wished to deny them.
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