THE MUSIC MAN

Palos Verdes Performing Arts scores a musical comedy bulls-eye with their big-stage, up-close-and-personal revival of Meredith Willson’s 1957 classic The Music Man, the all-around best of the half-dozen Music Men I’ve seen so far.
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YOUNG FRANKENSTEIN

Palos Verdes Performing Arts opens its 2016-17 season with its splendid big-stage production of Mel Brooks’ Young Frankenstein, a tunefuly, double entendre-packed, laugh-filled treat for Brooks fans and classic horror buffs alike.
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HELLO, DOLLY!

Dolly Levi is still glowing, still crowing, and going stronger than ever as 3-D Theatricals debuts its splendiferous 2016 revival of one of Broadway’s Golden Era greatest, the record-breaking 10-Tony-Award-winning Best Musical of 1964, Hello, Dolly!
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THE FULL MONTY

The sextet of laid-off upstate New York factory workers with plans to offer Buffalo gals a night of full-frontal fun are centerstage once more as 3-D Theatricals debuts its couldn’t-be-better revival of the 2000 Broadway hit musical The Full Monty.

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THE DROWSY CHAPERONE

The Norris Center For The Performing Arts couldn’t have picked a better musical, nor staged it more sparklingly, than their 2013-2014 3-Play Series season closer The Drowsy Chaperone, winner of 5 Tony Awards and quite possibly the most entertaining Valentine to musical theater ever.
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A MAN OF NO IMPORTANCE

The lives of couple dozen “unimportant” Dubliners are bestowed the significance they deserve in Torrance Theatre Company’s beautifully performed intimate-stage production of Terrence McNally, Lynn Aherns, and Stephen Flaherty’s 2002 off-Broadway musical A Man Of No Importance.
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IRVING BERLIN’S WHITE CHRISTMAS


Irving Berlin’s White Christmas is back for a second year at the Norris Center For The Performing Arts with its four fantastic leads intact, the same sensational direction and choreography, designs like those you’d expect in the best regional theater productions, and—brand new this time round—a live pit orchestra. There may be other White Christmases around town this time of year, but this is the one to see, or see again.
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THE PRODUCERS


The Norris Center For The Arts undertakes its most ambitious musical to date, a near Broadway-scale production of Mel Brooks’ multiple Tony-winning The Producers which, despite some technical elements still rough around the edges on opening night, makes for a bona fide crowd-pleaser sparked by one standout performance after another.
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