THE ENGAGEMENT PARTY


There’s probably never been an engagement party anywhere near as drama-packed as the one now occurring nightly in Westwood as the Geffen Playhouse treats Angelinos to the West Coast Premiere of Samuel Baum’s gasp-aloud, plot-twisty The Engagement Party.
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FOLLIES (CONCERT VERSION)


With a now basically unaffordable original Broadway cast of 47 (and opulent sets and costumes to match), Stephen Sondheim and James Goldman’s Follies turned out to be the ideal rarely-staged gem for Musical Theatre Guild to introduce audiences to its best-ever new space at Santa Monica’s The Broad Stage, a one-night-only concert version that more than earned Sunday’s extended standing ovation.
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TOWARDS ZERO

Haphazard casting and shaky direction make Agatha Christie’s Towards Zero the weakest Theatre 40 production since the company’s return to live, in-person programming over two years ago.
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BIRDS OF NORTH AMERICA


A lifetime of failed opportunities to connect weighs heavy on the hearts of the father-daughter protagonists of Anna Ouyang Moench’s haunting Birds Of North America, exquisitely acted by Arye Gross and Jacqueline Misaye at the Odyssey Theatre.
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OUR DEAR DEAD DRUG LORD

The four complex, authentic teen characters Alexis Scheer has created and the direction, performances, and design of Our Dear Dead Drug Lord’s West Coast Premiere at the Kirk Douglas Theatre are all so rave-worthy, it’s disappointing that the play’s gratuitously violent, deliberately unintelligible, and “WTF is that supposed to mean?” last twenty minutes are not.
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A VIEW FROM THE BRIDGE


Arthur Miller and Santa Monica’s Ruskin Group Theatre once again prove a match made in heaven with A View From The Bridge, magnificently performed in an intimate staging that turns every single audience member into a fly on the wall of this gritty Greek tragedy set on the waterfront of 1950s Brooklyn.
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A PERFECT GANESH

Theatricum Botanicum takes a break from the Bard in its otherwise entirely Shakespearean 2023 season with Terrence McNally’s A Perfect Ganesh, a play not nearly as appealing as McNally’s Frankie and Johnny in the Clair de Lune, It’s Only A Play, Master Class, Corpus Christi, and Love! Valour! Compassion!
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DORIS AND IVY IN THE HOME


Norm Foster invites audiences to spend a couple of hours with Doris And Ivy In The Home, the prolific Canadian playwright’s latest laugh-packed crowd-pleaser at Beverly Hills’ Theatre 40.
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