THE HOUSE IN SCARSDALE: A MEMOIR FOR THE STAGE

A disowned playwright embarks on a quest to uncover his dysfunctional family’s long-buried truths in Dan O’Brien’s powerful, poetic autobiographical memory play The House In Scarsdale: A Memoir For The Stage, now being given a superbly acted, directed, and designed World Premiere Production at The Theatre @ Boston Court.
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A DOLL’S HOUSE, PART 2

Nora’s come back to the “doll’s house” she once called home, though how long she’ll stay is anybody’s guess in Lucas Hnath’s audacious, scabrous, wordy, discussion-prompting, and often surprisingly droll sequel to the Henrik Ibsen classic, the South Coast Repertory World Premiere of A Doll’s House, Part 2.
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LORD OF THE UNDERWORLD’S HOME FOR UNWED MOTHERS

Unplanned pregnancy yields ghastly consequences in Louisa Hill’s Lord Of The Underworld’s Home For Unwed Mothers, a Skylight Theatre Company World Premiere whose cast, director, and production design succeed as often as not in overcoming the memory play’s abrupt second-act tonal shift, some cardboard supporting characters, and too much narration throughout.
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APRIL, MAY, & JUNE

April, May, & June may be more Lifetime Channel sitcom than Chekhov, but once the play gets past its expository-dialog crash course in four decades of family dysfunction, Gary Goldstein’s entertaining World Premiere look at three sisters so close in age they could almost be triplets yields its fair share of both laughter and emotional rewards.
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RULES OF SECONDS

With Alexander Hamilton and Aaron Burr dueling it out eight times a week on Broadway, the timing could not be more auspicious for John Pollono’s audacious, irreverent, wholly original Rules Of Seconds, now playing at DTLA’s Los Angeles Theatre Center.
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BUILDING THE WALL

Donald Trump’s campaign promise to rid America of its millions upon millions of “illegal aliens” reaches extremes that would do a certain WWII dictator proud in Building The Wall, Robert Schenkkan’s ham-fisted “It darn well could happen here!” two-hander now getting the first of a series of rolling World Premieres at the usually laudable Fountain Theatre.
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THE CRUISE

An estranged father and son attempt a shipboard reconciliation in Jonathan Ceniceroz’s The Cruise, Latino Theatre Company’s enjoyable but less than satisfying World Premiere comedy, now playing at the Los Angeles Theatre Center downtown.
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THE FOUND DOG RIBBON DANCE

Only the lonely populate The Found Dog Ribbon Dance, but don’t let that fool you into thinking that Dominic Finocchiaro’s wondrous World Premiere is anywhere near a downer. On the contrary, the latest from Echo Theater Company is precisely the kind of play you’ll want to tell all your romcom-loving friends (and just about anyone else in search of smart, funny, heartstrings-tugging, feel-good new theater) not to miss.
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