MEASURE STILL FOR MEASURE


Rehearsals for Shakespeare’s Measure For Measure have life imitating art in Jessica Kubzansky’s Measure Still For Measure, a sensational Boston Court World Premiere that takes backstage drama to a whole new level.
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THE RIGHT IS OURS

Tuneful songs and terrific performances do their utmost to overcome a by-the-numbers book and workshop-level production values in the Sierra Madre Playhouse World Premiere of The Right Is Ours, aka The Suffragette Musical.
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WALKING IN SPACE


Four young adult siblings confront their drug-addicted mother to shattering effect in Walking In Space, Gary Michael Kruger’s powerful, fact-based follow-up to his Best-of-2016 winner A Thorn In The Family Paw.
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KILL SHELTER: THE BLUE CAST


Not only is Ashley Rose Wellman’s Kill Shelter one of the most remarkable new plays I’ve seen in a very long time, it’s the best Theatre of NOTE production I’ve reviewed since the company’s streak of winners in the mid-2010s.
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HUNGRY GHOST

A pregnant woman is visited nightly by the Stevie Nicks-loving adult ghost of her as yet unborn child in Hungry Ghost, Lisa Sanaye Dring’s surreal, supernatural head-scratcher of a play now getting its Skylight Theatre Company World Premiere.
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EXIT WOUNDS


A father at the end of his rope seeks help for his delinquent teenage son from a woman he hasn’t seen in twenty-five years in Wendy Graf’s compelling, cathartic family drama Exit Wounds, now getting an absorbing World Premiere at Long Beach’s International City Theatre.
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THE RED SUITCASE


Growing up gay in the Deep South is no picnic for the protagonist of Jiggs Burgess’s laugh-out-loud funny, get-out-the-Kleenex moving The Red Suitcase, a P3 Theatre Company World Premiere at the Broadwater Mainstage.
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CRABS IN A BUCKET


If Eugene Ionesco or Samuel Beckett were writing plays today, they might well have come up with something very much like Bernardo Cubría’s tangy absurdist comedy, Crabs In A Bucket, now getting its World Premiere at Echo Theater Company.
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