Posts Tagged ‘Cal State Fullerton’

THE DROWSY CHAPERONE


A fresh new crop of Cal State Fullerton musical theater majors breathe fresh new life into Broadway’s 2006 Valentine to musical theater, The Drowsy Chaperone, winner of 5 Tony Awards and a CSUF crowd-pleaser if there ever was one.
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INTO THE WOODS

Cal State Fullerton’s musical theater majors once again prove themselves some of American’s Most Promising triple-threats in CSUF’s splendid big-stage revival of Stephen Sondheim and James Lapine’s Into The Woods.
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CARRIE: THE MUSICAL

Carrie: The Musical has made a sensational arrival at Cal State Fullerton just in time for Halloween, but it’s not just the show’s “scary musical” elements that give this rare college production event status.
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RUTHLESS! THE MUSICAL

The Bad Seed meets All About Eve meets Gypsy as the musical theater majors of Cal State Fullerton’s illustrious BFA program bring the murderously funny off-Broadway cult spoof Ruthless! The Musical to lethally hilarious life on the intimate stage of Santa Ana’s Grand Central Theatre.
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SPRING AWAKENING


Master director Richard Israel joins Cal State Fullerton choreography whiz William F. Lett and CSUF’s phenomenally talented Musical Theater BFA majors for as fine a production of Duncan Sheik and Steven Sater’s Spring Awakening as any professional theater could hope to present.
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KISS ME KATE

A couple dozen of Southern California’s most talented student triple-threats bring the Cole Porter classic Kiss Me Kate to vibrant, effervescent life down Orange County way, once again making it abundantly clear why Cal State Fullerton’s musical theater BFA program is among the country’s finest in turning out Broadway-bound talent.
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LEGALLY BLONDE

The Broadway/regional theater triple-threats of tomorrow are onstage today as Cal State Fullerton’s esteemed musical theater BFA program presents an absolutely terrific staging of Broadway’s multiple Tony-nominated Legally Blonde.
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ILLYRIA


A gifted young cast directed by one of SoCal’s finest, a gorgeous score, and romance and comedy in equal measure are several of the best reasons to catch Cal State Fullerton’s blackbox staging of Illyria, Peter Mills’ musicalization of Shakespeare’s Twelfth Night*. Add to that the unlikelihood of a major L.A. theater miraculously discovering Illyria’s existence, and anyone who loves musicals should make it a point not to miss this largely unknown gem.
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