Posts Tagged ‘Circle X Theatre Company’

DO YOU FEEL ANGER?

Mara Nelson–Greenberg takes #metoo rage to absurdist extremes in Circle X Theatre Company’s Do You Feel Anger?, a West Coast Premiere that starts out a major laugh getter (and stays that way for most of its ninety-minute running time), but ends up a major bummer the moment Nelson–Greenberg’s anti-male message gets sledgehammered in in the play’s suddenly surreal final scene.
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STAND UP IF YOU’RE HERE TONIGHT

If you’re in the mood for an hour of decidedly offbeat whimsy, then John Kolvenbach’s Stand Up If You’re Here Tonight, now getting its West Coast Premiere at Atwater Village, just might be your theatrical thing. At the very least, you’ll reward its star Jim Ortlieb with much earned cheers.
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punkplay

A coming-of-age tale/homoerotic teen bromance unfolding in the Reagan 1980s to a punk rock soundtrack set to mute. Meet Gregory S. Moss’s punkplay, the electrifying latest from Circle X Theatre Co., an edgy/nostalgic dramedy with occasional forays into “WTF is that supposed to mean?” territory.
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AN UNDIVIDED HEART

Pedophile Catholic priests and toxic waste-dumping chemical plants form the backdrop of Yusuf Toropov’s An Undivided Heart, a Circle X. Theatre Co./Echo Theater Company World Premiere that despite occasional tonal inconsistency and lack of clarity proves a powerful indictment of church-and-corporation-sanctioned abuse.
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FEFU AND HER FRIENDS

If, as Shakespeare put it, the play’s the thing, then I must confess that Maria Irene Fornés’s avant-garde Fefu And Her Friends is not my thing, that is unless it happens to performed inside (and in the gardens of) the architectural masterpiece that is Frank Lloyd Wright’s Hollyhock House. For its one-of-a-kind setting alone, Hollyhock Fefu merits attention (if not absolute affection).
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TREVOR

Laurie Metcalf and Jimmi Simpson are a mother and son unlike any you’ve ever seen on stage, on screen, or in real life for that matter, in the West Coast Premiere of Nick Jones’ Trevor, the stellar duo delivering extraordinary performances in a play you’ll be telling friends, acquaintances, and maybe even complete strangers to put at the top of their must-see list.
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STUPID FUCKING BIRD

2014’s hottest “new” playwright may well be none other than the Russian master Anton Chekhov, his 19th Century classics having inspired not one but three current hits: Christopher Durang’s Vanya And Sonia And Masha And Spike, Donald Margulies’ The Country House, and now —most Chekhov-specifically—Aaron Posner’s inspired meta-dramedy Stupid Fucking Bird, currently being given a sensational West Coast Premiere under the ever-inventive direction of Michael Michetti.
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