Posts Tagged ‘Coeurage Theatre Company’

NICKY

Chekhov’s melancholy antihero Nikolai Ivanov is alive and well and living unhappily ever after in today’s Palm Springs as Nicky, the titular protagonist of Boni B. Alvarez’s rewardingly adventurous reinvention of a late-19th-century Russian classic.
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FAILURE: A LOVE STORY

Center Theatre Group opens Block Party, its three-play salute to the best of Los Angeles intimate theater, with an exquisitely expanded Kirk Douglas Theatre staging of Coeurage Theatre Company’s multiple-award-winning Failure: A Love Story, Philip Dawkins’ whimsical meditation on the fragility of life and the resiliency of those who live it.
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URINETOWN

Annie, Cabaret, Dreamgirls, Grease, Hair, Mame, Pippin, Rent. One-word-titled Broadway smashes go all the way back to the birth of the modern American musical. (Showboat or Oklahoma!, you take your pick.) Still, there’s never quite been a modern American musical like Urinetown, proof positive of which can be marveled at in director Kari Hayter’s exhilarating intimate-stage revival, the latest from L.A.’s “Pay What You Want” Coeurage Theatre Company.
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VIEUX CARRÉ

Memories light the corners of Tennessee Williams’ mind in Vieux Carré, the Great American Playwright’s reminiscences of time spent in New Orleans’ French Quarter, revived to vibrant, excitingly theatrical life by Coeurage Theatre Company under Jeremy Lelliott’s inspired direction.
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THE SPARROW

A teenage girl’s return to her hometown following a ten-year absence takes both the introverted orphan and the audience observing her journey-into-adulthood on unexpected paths in The Sparrow, now getting a supremely theatrical West Coast Premiere by Coeurage Theatre Company, “Los Angeles’ only pay-what-you-want theatre.” (They’ve even trademarked the slogan.).
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FAILURE: A LOVE STORY

A superb cast, a brilliant design team, and above all the directorial genius that is Michael Matthews join forces to turn Coeurage Theatre Company’s Los Angeles Premiere of Failure: A Love Story, Philip Dawkins’ whimsical meditation on the fragility of life and the resiliency of those who live it, into one of the year’s most stellar 99-seat-plan productions.
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THE WOODSMAN

Playwright Steven Fechter puts a human face on that most reviled of sex offenders, the convicted child molester, in The Woodsman, the powerful latest from Coeurage Theatre Company and a production sure to generate both thought and discussion long after curtain-call applause has died.
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ANDRONICUS

”14 killings, 9 of them on stage, 6 severed members, 1 rape (or 2 or 3 depending on how you count), 1 live burial, 1 case of insanity, and 1 of cannibalism” is how critic S. Mark Hulse sums up William Shakespeare’s vengeance-fueled Titus Andronicus, and Coeurage Theatre Company gives us each and every one of the above in a mere two hours (including intermission) in Jeremy Lelliott’s exhilarating new adaptation of Shakespeare’s contribution to the “revenge play” genre, redubbed Andronicus to befit this leaner, zippier incarnation of the 16th-Century classic.
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