Posts Tagged ‘Diversionary Theatre’

LIZARD BOY

For everyone who’s ever felt excluded, rejected, or less than human for being “different” (and for anyone who simply goes gaga for thrillingly original musicals), Lizard Boy has made its way south from Seattle to San Diego’s Diversionary Theatre. Let the buzz begin!
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THE BOY WHO DANCED ON AIR

As the centuries-old Afghan tradition of Bacha Bazi (i.e. selling boys from poor families to wealthy masters to serve as their private entertainment) continues well into the present day, a couple of teenage dancers fall into first love in Tim Rosser and Charlie Sohne’s gorgeous and powerful The Boy Who Danced On Air, the latest World Premiere musical from San Diego’s Diversionary Theatre.
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A NEW BRAIN

Brilliant direction + imaginative choreography + ten terrific performances = more than enough reason for a road trip to San Diego to catch Diversionary Theatre’s pitch-perfect intimate staging of William Finn’s rarely revived A New Brain.
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BABY WITH THE BATHWATER

Wacky is the word for Baby With The Bathwater. Winningly wild and wonderful apply too to Christopher Durang’s 1983 comedy classic, as does gut-bustingly hilarious, a bathtub full of adjectives and adverbs that make the latest from Diversionary Theatre well worth a San Diego road trip this month.
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REGRETS ONLY

It’s a measure of how much times have changed over the less than eight years since Paul Rudnick’s Regrets Only debuted off-Broadway that Rudnick’s contemporary comedy has already become what some critics might call “dated” … and it’s a measure of Rudnick’s comedic mastery that this matters not a whit, not with characters as wedding-cake delectable as those now onstage at San Diego’s Diversionary Theatre, and certainly not in a production as pitch-perfect as the one Jessica John has directed for America’s third-oldest continuously-producing LGBT theater.
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bare: a pop opera

Damon Intrabartolo and Jon Hartmere’s bare: a pop opera at long last gets its San Diego Premiere—and an absolutely superb one at Diversionary Theater—fourteen years after it first impacted Los Angeles theatergoers with its devastatingly powerful take on two Catholic High School boys in love.
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