Posts Tagged ‘Hollywood Fringe Festival’

SISTER MARY IGNATIUS EXPLAINS IT ALL TO YOU

Christopher Durang takes hilarious, harrowing aim at hardcore Catholicism in his 1980 one-act Sister Mary Ignatius Explains It All For You, revived to droll, terrifying life at this year’s Hollywood Fringe.
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COCK


A young man finds himself torn between two lovers, one male and one female, in Mike Bartlett’s provocative comedic four-hander Cock, one of the most impressively staged and performed productions I’ve seen at Hollywood Fringe since the festival was inaugurated back in 2010.
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DURANG!

Christopher Durang reveals his trademark outlandishness times four at Studio/Stage this month in Mmmkay Productions and Crown City Theatre Company’s Durang!, a quartet wild and crazy Hollywood Fringe Festival one-acts, directed with pizzazz by Kristin Towers-Rowles.
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HOLLYWOOD FRINGE FESTIVAL 2014 REVIEWS

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FATHERS AT A GAME


A pair of night-and-day different dads cheering on their teenage sons at a high school football game would seem more likely to inspire an odd-couple comedy à la Richard Dresser’s hilarious Rounding Third than an electrifyingly edge-of-your-seat thriller, but this is precisely what Trey Nichols has concocted in his one-act Fathers At A Game, now completing a brief Best Of Fringe extension following its original Hollywood Fringe run.
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ABSOLUTELY FILTHY


For anyone who has ever wondered how the Peanuts gang might have turned out later in life, Brendan Hunt’s Absolutely Filthy now joins Bert V. Royal’s Dog Sees God in answering just that question; and though Royal’s Peanuts-As-Teens satire ends up more to my liking than Hunt’s Peanut-At-Thirty parody, it’s easy to understand why Absolutely Filthy became such a hit for Sacred Fools that they brought it back for five performances at the Hollywood Fringe Festival.
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THE BONEYARD AND TALISMAN

NOT RECOMMENDED

There’s no L.A. actress whose work I enjoy seeing more than Elephant Theatre Company’s Kate Huffman. Elephant artistic director David Fofi is one of the consistently finest directors in town. Timothy McNeil’s Supernova was singled out for a Scenie as one of The Twelve Best Plays Of The Year and McNeil’s performance in The Little Flower Of East Orange won him a Best Lead Actor Scenie. That’s why it’s disappointing to report that their latest collaboration as star, director, and writer/star of the pair of one-acts entitled The Boneyard and Talisman ended up not this reviewer’s cup of tea despite three excellent performances and Fofi’s sharp direction.
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THE REAL HOUSEKEEPERS OF STUDIO CITY


Divorced Studio City homemaker Ashley Tribbiani has a shot at being picked as one of TV’s Real Housewives Of Studio City. There’s only one problem. As any reality TV fan will tell you, a real Housewife needs to have a real Housekeeper, and with ex-hubby Joey seriously in arrears on his alimony and child support payments, Ashley has hardly been able to hire help since their split. Now, with her Real Housewives audition only an hour away, Ashley (Lani Shipman) and gay best friend Scot (Ryan O’Connor) have exactly sixty minutes to hire the best maid possible out of ten of TVland’s most famous housekeepers.

Fortunately, the Hollywood Fringe Festival has allotted precisely one hour for Joe Green, Heidi Powers, Tom Moore to debut their brand new musical The Real Housekeepers Of Studio City, and what a sixty-minute-musical gem it is.
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