Posts Tagged ‘Jeffrey Hatcher’

THE TURN OF THE SCREW


Michael Mullen and Shayna Gabrielle deliver bravura performances at Sierra Madre Playhouse in Jeffrey Hatcher’s adeptly adapted retelling of Henry James’ classic horror novella The Turn Of The Screw.
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KEY LARGO

The Geffen Playhouse reboots a 1948 black-and-white movie classic live in living color in Jeffrey Hatcher and Andy Garcia’s rip-roaring World Premiere stage adaptation of the Bogie-&-Bacall suspense thriller Key Largo, directed with abundant flair by Tony winner Doug Hughes.
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TUESDAYS WITH MORRIE

A dying septuagenarian college professor with life lessons to impart. A career-obsessed 30something sports reporter in dire need of them. Welcome to Jeffrey Hatcher and Mitch Albom’s stage adaptation of Albom’s international best-seller Tuesdays With Morrie, a chuckles-inducing, crowd-pleasing tear-jerker from Sierra Madre Playhouse.
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13 THINGS ABOUT ED CARPOLOTTI

Septuagenarian widow Virginia Carpolotti hums whenever she’s got reason to worry, and she’s got plenty of reason to whistle—and with Emmy-winner Penny Fuller playing her, audiences have plenty of reason to cheer—in the delightful, tuneful 13 Things About Ed Carpolotti, 70-minutes of one-woman musical theater showmanship at The Broad Stage.
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DR. JEKYLL & MR. HYDE


What a difference a director can make, and by director I mean MaryJo DuPrey, whose vision for Dr. Jekyll & Mr. Hyde at Actors Co-op has inspired an outstanding cast and brilliant team of designers to take a play about which I had previously expressed decidedly mixed feelings and turned it into a psychological thriller par excellence.
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WAIT UNTIL DARK


Some plays simply cannot be updated to the 21st Century. Take for example Wait Until Dark, Frederick Knott’s classic 1966 thriller about a blind New York City newlywed targeted by a trio of thugs out to find the heroin-filled doll they believe to be hidden somewhere in the walk-down flat she shares with her photographer husband—a play entirely dependent on there being just one land-line phone in the apartment and a (now virtually non-existent) phone booth on a nearby corner.

That’s why, when I heard that playwright Jeffrey Hatcher was adapting Wait Until Dark for the Geffen Playhouse “in a new time/setting,” my first thought was “They must be kidding!” Then I found out that Hatcher was actually taking Knott’s thriller back in time to WWII New York City and that thought turned to “Wow! What a clever idea!” Not only a clever idea, it turns out, but one that proves as exiting in execution as in theory.
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