Posts Tagged ‘Los Angeles Theater Review’

PTERODACTYLS

The Commissary at Culver Studios provides September’s most unique theatrical venue as Pop Up Theater, Inc. debuts its entertaining if uneven revival of Nicky Silver’s absurdist AIDS-era tragicomic farce Pterodactyls.
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CARMEN DISRUPTION

Prolific British playwright Simon Stephens goes avant-garde in Carmen Disruption, meaning that no matter how much you may have loved the edgy realism of Punk Rock or the captivating whimsy of Heisenberg or the utter magic of his stage adaptation of Mark Haddon’s The Curious Incident Of The Dog In The Night-Time, you may well find his artsy 2015 take on Bizet a good deal less engaging.
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IPHIGENIA IN AULIS

There are perhaps few genres more likely to fill contemporary theatergoers with the fear of dozing off mid-play than the dreaded Greek Tragedy, that is unless the company putting on the show is Chicago’s Court Theater, in town this month to resuscitate the 2400-year-old Iphigenia In Aulis to spellbinding, gut-punching effect at Malibu’s Getty Villa.
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OTHER DESERT CITIES

Real-life sisters Ellen Geer and Melora Marshall and Geer’s daughter Willow play characters with matching family ties in Theatricum Botanicum’s superb outdoor revival of Jon Robin Baitz’s Other Desert Cities.
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SOMEWHERE IN THE MIDDLE (OR GUESS WHO’S COMING FOR PASSOVER)

A Catholic mom, her Jewish husband and mother-in-law, and a couple of kids raised somewhere in the middle. Meet the protagonists of Gary Lamb’s Somewhere in the Middle (or guess who’s coming for Passover), a World Premiere Crown City Theatre Company dramedy that transcends its “Very Special Episode” premise to make for a discussion-prompting, terrifically acted look at the religious ties that rarely bind in today’s polarized world.
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ARSENIC AND OLD LACE

The Brewster Sisters are at it again, bumping off their elderly male lodgers in the name of human kindness, in Odyssey Theatre Ensemble’s delectably performed, gorgeously designed intimate revival of Joseph Kesselring’s 1941 Broadway hit Arsenic And Old Lace.
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AMERICAN HOME

Homeownership dreams come true, then fall apart in Stephanie Alison Walker’s overly ambitious American Home, whose intriguing premise and promising opening scenes soon develop into an excessively populated, tonally uneven, insufficiently involving World Premiere dramedy.
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TROUBLE IN MIND

Pioneer African-American playwright Alice Childress takes a surefire theatrical genre (the backstage comedy à la Moss Hart’s Light Up The Sky or Ken Ludwig’s Moon Over Buffalo) and transforms it into an examination of mid-20th-century race relations in Trouble In Mind, every bit as relevant at Theatricum Botanicum in 2017 as it was in its 1955 off-Broadway debut … and every bit as hilarious as it is thought-provoking.
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