Posts Tagged ‘Los Angeles Theater Review’

FOOTLOOSE THE MUSICAL

Director Barry Pearl and co-director/choreographer Michelle Elkin re-team at the Colony Theatre to bring L.A. audiences a bigger-budget incarnation of their 2023  hit Footloose The Musical, though this time round minus the powerhouse star turn of last year’s breakout leading man.
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THE WINTER’S TALE


Director Elizabeth Swain ups the Act One drama, then enhances the Act Two froth in Antaeus Theatre Company’s splendidly performed 21st-century staging of William Shakespeare’s still-fresh-at-401 The Winter’s Tale.
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FATHERLAND


Words like riveting and gut-wrenching only begin to describe Stephen Sachs’ ripped-from-the-headlines World Premiere docudrama Fatherland and the performances delivered at The Fountain Theatre by Los Angeles stage dynamo Ron Bottitta and remarkable L.A. newcomer Patrick Keleher.
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MARILYN, MOM, AND ME


A renowned character actress and the world’s most celebrated sex symbol form the most unexpected of friendships as a grown son celebrates his mother’s memory in Luke Yankee’s fascinating, informative, deeply moving Marilyn, Mom, and Me, now getting its long-awaited World Premiere at Long Beach’s International City Theatre.
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SEX WITH STRANGERS


Sexual sparks fly when a one-flop-wonder of a novelist and a best-selling chronicler of a year’s worth of one-night stands find themselves the only guests in a rural bed-and-breakfast in Sex With Strangers, Laura Eason’s provocative, conversation-provoking two-hander, now playing at the McCadden Place Theatre.
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THREE

If you’re a die-hard Chekhov fan, Nick Salamone’s 20th/21st-century “queer meditation” on the Russian playwright’s 124-year-old classic Three Sisters, a Playwrights’ Arena/Los Angeles LGBT Center World Premiere, will likely be more up your alley than it was mine.
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SWEENEY TODD


Julia Rodriguez-Elliot’s brilliantly innovative direction and Cassandra Marie Murphy’s spectacular star turn as Mrs. Lovett top the reasons not to miss Stephen Sondheim & Hugh Wheeler’s Sweeney Todd: The Demon Barber Of Fleet Street at A Noise Within.
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BETRAYAL


The aftermath of Harold Pinter’s seven-year love affair with the wife of a close friend serves as point of departure for his 1978 three-hander Betrayal, the fascinating latest from City Garage.
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