Posts Tagged ‘Mark Taper Forum’

A TRANSPARENT MUSICAL

Center Theatre Group celebrates diversity just in time for Pride Month with A Transparent Musical, an exhilarating but overlong adaptation of the hit TV series Transparent.
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CLYDE’S


Four sandwich-making ex-cons strive to forge new lives for themselves in Lynn Nottage’s hilarious, hard-hitting Clyde’s, now playing at the Mark Taper Forum direct from its recent run at Chicago’s Goodman Theater.
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KING JAMES


Two young men forge a life-changing best-friendship thanks to their shared love of basketball (and more specifically of b-ball superstar LeBron James) in Rajiv Joseph’s heart-stopping brom-com King James, now bringing audiences to their feet at the Mark Taper Forum.
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BLUES FOR AN ALABAMA SKY


Love, hate, and jealousy. Pearl Cleage’s Blues For An Alabama Sky has them all, and an abundance of laughs to boot, in Center Theatre Group’s sensatinal revival of the Atlanta-based playwright’s 1995 hit, directed by none other than its original Alliance Theatre Company star Phylicia Rashad.
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SLAVE PLAY


A trio of interracial couples let it all hang out in group therapy as Center Theatre Group presents the Broadway production of Jeremy O. Harris’s daringly provocative, deliberately discomforting, and frequently damn funny Slave Play.
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AUGUST WILSON’S JITNEY

Father-son conflict, romantic friction, and the threat of imminent unemployment ignite dramatic sparks amidst tension-relieving laughter in August Wilson’s Jitney, whose 2017 Broadway debut now visits the Mark Taper Forum after a well-earned Best Revival Tony win.
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LINDA VISTA

Tracy Letts could just as easily have called his latest play Train Wreck, so hot a mess is its 50-year-old protagonist that much of the pleasure of Letts’ relentlessly funny, defiantly unsentimental Linda Vista (a Steppenwolf visitor to the Mark Taper Forum) is watching its antihero (emphasis on the anti) get what he so richly deserves.
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VALLEY OF THE HEART

Epic in scope, educational in intent, and exquisite in design, Luis Valdez’s Valley Of The Heart examines America’s WWII internment of its Japanese-American citizens and their foreign-born family members in ways both familiar (the Broadway musical Allegiance played L.A. just ten months ago) and original (our narrator is Mexican-American). If only the Zoot Suit playwright proved more adept at creating authentic-sounding dialog. If only Valley Of The Heart didn’t so often feel like Wikipedia on stage.
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