Posts Tagged ‘Morgan-Wixson Theatre’

IN THE HEIGHTS

Spirited performances make In The Heights, Lin Manuel Miranda’s celebration of life in New York’s Washington Heights, a Morgan-Wixson Theatre crowd-pleaser, however the production loses points for its lighting and sound designs.
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ROMEO & JULIET: CHOOSE YOUR OWN ENDING


Should Romeo woo Juliet or should he court Rosaline? This is just the first of three major life decisions left up to an audience vote at the Morgan-Wixson Theatre in Ann and Shawn Fraistat’s Romeo & Juliet: Choose Your Own Ending, a hilariously clever new take on a centuries-old classic.
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IT’S ONLY A PLAY

If you love live theater and the people who make it, you will absolutely adore Morgan-Wixson Theatre’s delectable latest, and even if you don’t know Ben Brantley from Ben Franklin, you’ll have a smashingly good time at Terrence McNally’s It’s Only A Play.
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THE DROWSY CHAPERONE

A veritable who’s who of Morgan-Wixson Theatre regulars, a director on a roll, and a crackerjack team of production designers join forces to make Broadway’s The Drowsy Chaperone the all-around best Morgan-Wixson musical I’ve reviewed since first raving about their Thoroughly Modern Millie back in 2009.
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THE WEDDING SINGER

Having recently spoofed the ’60s with Little Shop Of Horrors, Santa Monica’s Morgan-Wixson Theatre now treats audiences to the adroitly concocted blend of music, comedy, and 1980s nostalgia that is Chad Beguelin, Tim Herlihy, and Matthew Sklar’s The Wedding Singer.
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LITTLE SHOP OF HORRORS


Mushnik’s Skid Row Florists are open for business out Santa Monica way in Morgan-Wixson Theatre’s solid revival of the 1982 cult musical classic Little Shop Of Horrors.
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SHE LOVES ME

Feuding co-workers who’ve no idea they’re secretly in love with each other make for romantic musical comedy magic in the 1963 Broadway classic She Loves Me, Morgan-Wixson Theatre’s delightful 2018-2019 season opener.
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MARY POPPINS

Santa Monica’s Morgan-Wixson Theatre delivers the family entertainment goods with a supercalifragilisticexpialidocious Mary Poppins, once again proving that you don’t need Broadway-budget spectacle to get audiences cheering.
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