Posts Tagged ‘Rogue Machine Theatre’

A GREAT WILDERNESS


Idaho playwright Samuel D. Hunter tackles gay conversion therapy in his expectations-defying, cliché-free 2014 drama A Great Wilderness, the riveting latest from Rogue Machine Theatre.
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THE BEAUTIFUL PEOPLE


Tim Venable’s hot-button-issue World Premiere two-hander The Beautiful People will have you thinking and talking about the gut-punching latest from Rogue Machine long after the stage has gone dark at Melrose’s Matrix Theatre.
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ON THE OTHER HAND WE’RE HAPPY


On The Other Hand We’re Happy, Daf James’ insightful look at a British couple’s efforts to adopt, not only marks an exciting return for Rogue Machine, it’s a perfect example of a story best told, not as a movie or miniseries, but on a nearly bare stage with just three remarkable actors bringing at least twice as many characters to vivid life.
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EARTHQUAKES IN LONDON

Epic in its scope and timeframe, intimate in its intersecting family dramas, bleak in its depiction of a world doomed by climate change, and as thrillingly theatrical as stage storytelling gets, Rogue Machine’s West Coast Premiere of Mike Bartlett’s Earthquakes In London is sure to be one of the season’s most talked-about productions.
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DISPOSABLE NECESSITIES

Playwright Neil McGowan gives a futuristic spin to the age-old question “What would you do if you could live forever?” in his gender-bending, race-bending, relentlessly clever dark comedy Disposable Necessities, a Rogue Machine Theatre World Premiere.
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MISS LILLY GETS BONED

A 35-year-old Sunday School teacher who’s saving herself for Hugh Grant. A man who might just be the next best thing to Hugh. A child grieving his mother’s recent death. An elephant guilty of murder. A doctor given a week to tame this lethal beast. Stir in a sexually hyperactive younger sister and you’ve got Bekah Brunstetter’s latest theatrical gem, Miss Lilly Gets Boned, freshly revised from its 2010 World Premiere for its 2019 Rogue Machine West Coast debut.
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READY STEADY YETI GO

Sixth-graders reenact a local hate crime for reasons that don’t particularly make sense in David Jacobi’s Ready Steady Yeti Go, a talent showcase for its gifted 20something ensemble that would work even better with age-appropriate casting.
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FINKS

Joe McCarthy’s Communist witch hunts and the ensuing Hollywood blacklist may have seemed misty water-colored memories of sixty-year-old injustices when Joe Gilford’s Finks made its off-Broadway debut in the Obama-era early 2010s. Such is not the case a half dozen-years later, just one of many reasons not to miss its searing Los Angeles Premiere at Rogue Machine Theatre.
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