Posts Tagged ‘Rogue Machine’

100 APRILS

The victims and the perpetrators of the mass murder of a million-and-a-half Armenians haunt a dying septuagenarian circa 1982 in Leslie Ayvazian’s edifying, impressively performed, if problematic World Premiere drama 100 Aprils, the latest from Rogue Machine.
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MEXICAN DAY

Following the hallucinogenic surrealism of Plunge and the real-time fireworks of Tar, playwright Tom Jacobson concludes his mammoth Bimini Bath Trilogy with no less than an old-fashioned 1940s-style screwball comedy (with dramatic overtones) called Mexican Day, like its predecessors an enthralling, enlightening look at 20th-century L.A. history.
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HONKY

If laughter is indeed the best medicine for what ails us, then anyone afflicted with racism would do well to check out the latest from Rogue Machine, Greg Kalleres’s foul-mouthed and fabulous satirical comedy Honky. (And if you think the R-word doesn’t apply to you, then you clearly haven’t heard Avenue Q’s “Everyone’s A Little Bit Racist.”)
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NEED TO KNOW

Among the many advantages to New York City living, moving in next door to a man like Mark Manners is not one of them, or so a couple of L.A.-to-NYC transplants discover in Jonathan Caren’s seductively suspenseful comedy Need To Know, now getting a world-class World Premiere at Rogue Machine.
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COCK

It’s time for John to stop letting M down (and standing him up and cheating and lying and failing and generally cocking things up), or so the 20something gay Brit’s lover informs him upon learning of his younger partner’s serious fling with a member of the opposite sex in Mike Bartlett’s provocative (and provocatively titled) dramatic comedy Cock, now getting an imaginatively directed, thrillingly acted West Coast Premiere at Rogue Machine.
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GRUESOME PLAYGROUND INJURIES

A series of Gruesome Playground Injuries (and other assorted wounds, both external and internal) provide the ties that bind two wounded souls from ages eight to thirty-eight in Rajiv Joseph’s aptly-titled Gruesome Playground Injuries, an imperfect play turned into a powerful theatrical experience thanks to the kind of superb performances, direction, and design that have become the hallmark of Rogue Machine.
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DYING CITY


A young man’s unannounced arrival at the New York apartment of his deceased twin brother’s widow triggers the gradual revelation of three lifetimes’ worth of secrets and lies in Christopher Shinn’s Dying City, now getting a compelling, beautifully acted and directed Los Angeles premiere at Rogue Machine.
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