Posts Tagged ‘Sacred Fools Theatre’
PAST TIME
Saturday, February 20th, 2016
Stepping inside someone else’s skin may be just what Grandpa James and Grandson Chris need to make their respective romantic lives click in Padraic Duffy’s deliciously quirky, often side-splittingly funny, ultimately heartwarming (albeit somewhat over-padded) World Premiere comedy Past Time, now playing at Sacred Fools’ excitingly refurbished digs on Hollywood’s Theatre Row.
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MIRAVEL
Saturday, November 14th, 2015RECOMMENDED
Cyrano de Bergerac gets a jazz-infused contemporary update in Jake Broder’s play with music Miravel, a Sacred Fools World Premiere that scores high marks for performance, both vocal and instrumental, but could use some tweaking and tightening, particularly in its overlong first act.
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ASTRO BOY AND THE GOD OF COMICS
Sunday, June 21st, 2015
The words “You’ve never seen anything like this before” may sound cliché, but trust me, you have never seen anything like Sacred Fools’ West Coast Premiere of Natsu Onoda Power’s Astro Boy And The God Of Comics, a mind-boggling blend of fact and fantasy that weaves together human performers and live action with still-&-animated video projections, puppets, and most exciting of all, live cartooning by some skilled actors/pen-&-ink artists—all of which adds up to what is certain to be one of the summer’s most gigantic hits.
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WATSON AND THE DARK ART OF HARRY HOUDINI
Tuesday, July 9th, 2013
What do you do when you’re writer-director Jaime Robledo and your play Watson: The Last Great Tale Of The Legendary Sherlock Holmes has won just about every award in the book? Elementary, my dear reader. You do what Sir Arthur Conan Doyle did after creating his mystery-solving supersleuth in A Study In Scarlet (and what Universal Pictures kept doing year after year for their own inimitable Sherlock, Basil Rathbone). You write and direct a sequel, in this case Watson And The Dark Art Of Harry Houdini, and if the results don’t match the original in sheer brilliance, Watson 2.0 does for the most part avoid the dreaded sophomore curse.
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ABSOLUTELY FILTHY
Tuesday, July 2nd, 2013
For anyone who has ever wondered how the Peanuts gang might have turned out later in life, Brendan Hunt’s Absolutely Filthy now joins Bert V. Royal’s Dog Sees God in answering just that question; and though Royal’s Peanuts-As-Teens satire ends up more to my liking than Hunt’s Peanut-At-Thirty parody, it’s easy to understand why Absolutely Filthy became such a hit for Sacred Fools that they brought it back for five performances at the Hollywood Fringe Festival.
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Since 2007, Steven Stanley's StageSceneLA.com has spotlighted the best in Southern California theater via reviews, interviews, and its annual StageSceneLA Scenies.
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