Posts Tagged ‘Sarah Ruhl’

IN THE NEXT ROOM (or the vibrator play)


Open Fist Theatre Company scores another hit with Sarah Ruhl,s In The Next Room (or the vibrator play), the sparklingly provocative, unexpectedly touching 2010 Best Play Tony nominee that gave the award-winning playwright her first Broadway credit.
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STAGE KISS

Noël Coward meets Noises Off meets Conor McPherson when a couple of onetime lovers find themselves lip-locked once again in not one but two not-so-brilliant regional theater productions in Sarah Ruhl’s scrumdiddlyumptious backstage comedy Stage Kiss, now getting its West Coast Premiere at the Geffen Playhouse.
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PASSION PLAY

Chance Theater challenges adventurous theatergoers and rewards them in equal measure with director Trevor Biship’s powerfully staged vision of Sarah Ruhl’s Passion Play, three acts, two intermissions and all. Bows may not get taken till nearly three-and-a-half hours after curtain, but if you’re anything like this reviewer, you’ll find yourself enthralled from fanciful start to emotional finish.
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PASSION PLAY


Sarah Ruhl examines how a centuries-old theatrical tradition and the folks who take part in the spectacle year after year are affected by the epoch in which they create this annual event in Passion Play, and before you jump to the conclusion that such heavy subject matter might prove too weighty to be entertaining, remember that it’s Tony-nominated Ruhl we’re talking about.
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IN THE NEXT ROOM (or the vibrator play)

Debuting its new home at North Hollywood’s Secret Rose Theatre, L.A.’s award-winning The Production Company opens its seventh season with a sparkling Los Angeles Intimate Stage Premiere of Sarah Ruhl’s delightful, provocative, ultimately uplifting In The Next Room (or the vibrator play), a 2010 Best Play Tony nominee and one that more than matches Ruhl’s previous The Clean House, Dead Man’s Cell Phone, and Eurydice in quirky originality and charm.
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DEAD MAN’S CELL PHONE

If there’s nothing more annoying than the sudden sound of a cell phone going off in a public place, how about when the owner of said phone just lets it ring … and ring … and ring? No wonder Jean, the heroine of Sarah Ruhl’s Dead Man’s Cell Phone, finally loses her patience and goes over to give the negligent phone owner a piece of her mind. It’s only then that she discovers that the man with the annoying cell phone has, as they say, met his maker.

Thus begins Ruhl’s whimsical Helen Hays Award-nominated comedy, a sure bet to entertain audiences at Long Beach’s International City Theatre, particularly with director Richard Israel imaginatively in charge.
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