Posts Tagged ‘Theatre Of NOTE’
WELCOME TO THE WHITE ROOM
Saturday, August 19th, 2017Theatre Of NOTE welcomes a generation raised on virtual reality to Theater Of The Absurd with the West Coast Premiere of Trish Harnetiaux’s overly cryptic but still mostly quite engaging Welcome To The White Room.
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A BEAUTIFUL DAY IN NOVEMBER ON THE BANKS OF THE GREATEST OF THE GREAT LAKES
Friday, November 11th, 2016
There may indeed be “no place like home for the holidays,” but there’s surely never been a holiday home quite like the Wemblys’ in Kate Benson’s A Beautiful Day In November On The Banks Of The Greatest Of The Great Lakes, now getting a weird, wacky, wonderful West Coast Premiere at Hollywood’s Theatre Of NOTE.
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D DEB DEBBIE DEBORAH
Friday, August 12th, 2016RECOMMENDED
Twilight Zone meets Theater Of The Absurd in D Deb Debbie Deborah, Jerry Lieblich’s trippy journey to a land where no one, not even the title character, is who they seem, and though it’s anyone’s guess what Lieblich is getting at throughout most of his play’s seventy-five minutes, confusion hardly matters till a sudden eleventh-hour try for profundity takes Quadruple D from entertaining to exasperating.
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BAD JEWS
Friday, July 1st, 2016
Cousins clash over religion, their heritage, and a precious family heirloom in Joshua Harmon’s equal parts side-splitting, button-pushing, discussion-provoking Bad Jews, back in L.A. as a mostly quite successful guest production at Hollywood’s Theatre Of NOTE.
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RIO HONDO
Saturday, December 5th, 2015
Earlier this year in their brilliantly spoofy Entropy, playwright Bill Robens and Theatre Of NOTE managed somehow to stage a gazillion-dollar Hollywood space-travel epic inside a 40something-seat theater. Robens and NOTE now work the same magic on that most American of movie genres—the Western—in their World Premiere comedy Rio Hondo, to my knowledge the very first L.A. theater production presented “in CinemaStage” and one that no horse opera lover will want to miss.
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ENTROPY
Monday, May 25th, 2015
It cost Warner Brothers a hundred million dollars to make Gravity. It’s probably cost Theatre Of NOTE one or two ten-thousandths of that to stage Entropy, and believe me, the latest from NOTE is a lot more fun than that Oscar-winning Alfonso Cuarón flick. A whole lot more fun.
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POSSUM CARCASS
Saturday, January 3rd, 2015
The love triangles of Anton Chekhov’s The Seagull return to wild-and-crazy 21st-century life in David Bucci’s Possum Carcass, the 120-year-old Chekhov classic retold as graphic novel … and the latest from the always intriguing Theatre Of NOTE.
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I WANNA HOLD YOUR HAND
Friday, August 22nd, 2014
Seven years ago, Erik Patterson’s best friend’s head “exploded,” or at least that’s how the playwright describes the brain aneurysm that sent him rushing to the Manhattan ICU where best friend Uma and her fellow aneurysm victims waged their life-and-death struggle while loved ones watched and waited, hoped and prayed, and bonded with similarly concerned strangers in the hospital waiting room.
Cut to 2014, and the author of the multiple Scenie-winning He Asked For It has taken these real-life events as the point of departure for his latest, I Wanna Hold Your Hand, now getting its World Premiere at Hollywood’s Theatre Of NOTE, and in words I used to describe its predecessor, Patterson’s newest play is “fresh, entertaining, gripping and entirely unpredictable” … and beautifully acted to boot.
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Since 2007, Steven Stanley's StageSceneLA.com has spotlighted the best in Southern California theater via reviews, interviews, and its annual StageSceneLA Scenies.
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