Posts Tagged ‘Zephyr Theatre’

MIDNIGHT SCREENING


Take two or more complete strangers, trap them in a single location, and watch the fireworks fly. It’s a formula that worked for John Hughes in his 1985 classic The Breakfast Club and six years later in his not-so-classic Career Opportunities, and it’s a concept that proves every bit as effective at the Zephyr Theatre in Tim Schildberger’s World Premiere winner Midnight Screening.
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THIS SIDE OF CRAZY

No one writes about the sordid lives of Southern Baptist women with more vinegar-laced love and affection than Del Shores, once again delighting Zephyr Theatre audiences with his latest dramedic treat, a rib-tickling, tear-jerking Kentucky-fried feast appropriately dubbed This Side Of Crazy.
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ATTACK OF THE SECOND BANANAS

Dueling divas get double-murdered in Gina Torrecilla’s Attack Of The Second Bananas, a World Premiere backstage comedy whodunnit that despite occasional bright moments mostly falls flat.
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WINK

Casting a non-binary actor as a non-binary protagonist merits snaps, but the two-hour suspension of disbelief required of an audience by Neil Koenigsberg’s Wink sinks whatever good intentions may have prompted its playwright to put fingertips to keyboard.
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THE TRAGEDY

Whether you find The Tragedy, D.G. Watson’s twisty-turny tale of three young Hollywood talent managers in search of the stroke of genius that will save their floundering business a piece of theatrical brilliance or a hallucinogenic hot mess may depend on how many shrooms you’ve consumed before lights-up. In either case, this often outrageously funny Ammunition Theatre Company World Premiere is like nothing else now playing on L.A. theater stages.
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BR’ER COTTON

An angry, rebellious African-American teen finds himself at loggerheads with his hard-working single mom, his tradition-bound granddad, and the racist world he confronts on a daily basis in Tearrance Arvelle Chisholm’s Br’er Cotton, a dialog-provoking gripper of a play that I’d like even better if it stayed in the very real present instead of detouring into magical realism territory and the Civil War past.
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THE LAST VIG

Supporting performances are uniformly terrific and design elements as good as it gets, but with a low-energy Burt Young slowing things down to a snail’s pace, audiences in search of theatrical sparks had best look elsewhere than writer-director David Varriale’s potentially entertaining Mafia comedy The Last Vig*.
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THE HOUSE OF YES

Siblings don’t get any more twincestuous than Anthony and Jackie-O Pascal, the brother-sister protagonists of Wendy MacLeod’s delectably dark The House Of Yes, back for a terrifically acted 25th-anniversary revival at the Zephyr on Melrose.
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