HIGH MAINTENANCE

Christian Prentice dazzles as a state-of-the-art robot about to star as Torvald in Ibsen’s A Doll’s House opposite TV diva Ivy Khan’s Nora in Peter Ritt’s High Maintenance, an initially captivating Road Theatre World Premiere that fails to live up to expectations in its romance-derailing, credibility-straining final scenes.
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OPHELIA


Award-winning writer-director-actor-designer Stefan Marks is back, and wearing all four hats at once, with Ophelia, his latest blend of theatrical magic, whimsy, and profundity.
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FAT HAM


Risk-taking, rule-breaking, exuberant joie de playwriting won James Ijames the Pulitzer Prize for his contemporary comedic queer African-American take on Hamlet, Fat Ham, now blowing audiences’ minds at the Geffen Playhouse.
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ONE OF THE GOOD ONES


Fireworks ignite when a well-to-do Hispanic-American couple’s 22-year-old daughter brings home the man of her dreams in Gloria Calderón Kellett’s One Of The Good Ones, a laugh-packed, conversation-starting 21st-century Guess Who’s Coming To Dinner now getting the classiest and crowd-pleasingest of World Premieres at the Pasadena Playhouse.
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A FROGGY BECOMES


If you’ve ever been twelve years old, you’ll get an extra special kick out of Becky Wahlstrom’s wild and wacky and way-out-there coming-of-age comedy A Froggy Becomes, now getting the most exhilarating of World Premiere stagings at Open Fist Theatre.
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BRUSHSTROKE


There’s nothing quite like a book, movie, TV show or play that has audiences gasping “I did not see that coming.” Case in point: John Ross Bowie’s World Premiere wow of a comedy thriller, Brushstroke, now getting a world-class World Premiere at the Odyssey.
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POTUS Or, Behind Every Great Dumbass Are Seven Women Trying to Keep Him Alive


Comedic chaos runs wild at the Geffen Playhouse in Selina Fillinger’s farcical, filthy, fabulously entertaining POTUS Or, Behind Every Great Dumbass Are Seven Women Trying to Keep Him Alive.
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MERCURY


No one does dark and twisted with quite the devilish glee of playwright Steve Yockey, proof positive of which can be seen in Mercury, a gloriously grizzly Road Theatre Company West Coast Premiere.
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