TWELFTH NIGHT


Actors Co-op gives L.A.’s top-of-the-line classical theater companies some stiff competition with their irresistibly entertaining, tunefully tropical take on Twelfth Night, William Shakespeare’s timeless tale of star-crossed twins, mismatched lovers, and zany fools.
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ANDREW LIPPA’S WILD PARTY


Performances don’t get any more sizzlingly spellbinding than Madelyn Claire Lego’s star turn as Queenie in Jaxx Theatrical’s fabulous 4-performance-only revival of Andrew Lippa’s Wild Party.
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THE ALLSTORE


Life is a living hell for the minimum-wagers staffing The AllStore in Evan Marshall’s pitch-black, trigger warning-packed, frequently hilarious counterpoint to ABC TV’s feel-good Superstore, now getting its World Premiere at Theatre of NOTE.
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SEX WITH STRANGERS


Sexual sparks fly when a one-flop-wonder of a novelist and a best-selling chronicler of a year’s worth of one-night stands find themselves the only guests in a rural bed-and-breakfast in Sex With Strangers, Laura Eason’s provocative, conversation-provoking two-hander, now playing at the McCadden Place Theatre.
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THREE

If you’re a die-hard Chekhov fan, Nick Salamone’s 20th/21st-century “queer meditation” on the Russian playwright’s 124-year-old classic Three Sisters, a Playwrights’ Arena/Los Angeles LGBT Center World Premiere, will likely be more up your alley than it was mine.
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MESSAGE IN A BOTTLE


Sting’s hauntingly beautiful songs, Kate Prince’s electrifying choreography, a troupe of the world’s most spectacular dancers, and an absolutely stunning production design combine to bring Pantages audiences the West End phenomenon that is Message From A Bottle.
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MJ THE MUSICAL

No matter what your personal feelings are about Michael Jackson (and mine are decidedly conflicted), there’s little denying that MJ the Musical, now playing at Hollywood’s Pantages, is skillfully crafted, sensationally sung and danced, and spectacularly designed, no matter how frustratingly uncritical it is of its subject.
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ALL’S WELL THAT ENDS WELL

Whether you love the entirety of the Porters of Hellgate’s All’s Well That Ends Well, or enjoy some parts of it more than others, will likely depend on how much of a William Shakespeare fan you are where this “problem comedy” is concerned.
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