PRELUDE TO A KISS THE MUSICAL


A gorgeous score, appealing performances, and a book that will have you reflecting on the very meaning of love are just three reasons to fall for South Coast Repertory’s World Premiere musical adaptation of Craig Lucas’s Prelude To A Kiss.
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JERSEY BOYS


The wait is over! Twenty years after its La Jolla Playhouse debut and five years after a handful of U.S. theaters were finally given the rights to stage it regionally, Jersey Boys at long last gets the homegrown production SoCal audiences have been waiting for, and a spectacular one it is at the La Mirada Theatre for the Performing Arts.
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TWELFTH NIGHT


Actors Co-op gives L.A.’s top-of-the-line classical theater companies some stiff competition with their irresistibly entertaining, tunefully tropical take on Twelfth Night, William Shakespeare’s timeless tale of star-crossed twins, mismatched lovers, and zany fools.
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HIGH MAINTENANCE

Christian Prentice dazzles as a state-of-the-art robot about to star as Torvald in Ibsen’s A Doll’s House opposite TV diva Ivy Khan’s Nora in Peter Ritt’s High Maintenance, an initially captivating Road Theatre World Premiere that fails to live up to expectations in its romance-derailing, credibility-straining final scenes.
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TINY BEAUTIFUL THINGS


Dear Abby and Ann Landers could learn a thing or two from Sugar, the advice columnist whose empathetic, profound, deeply moving responses to folks in dire need of counsel make Chance Theater’s Orange County Premiere of Tiny Beautiful Things the most heartstrings-tugging show in town.
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OPHELIA


Award-winning writer-director-actor-designer Stefan Marks is back, and wearing all four hats at once, with Ophelia, his latest blend of theatrical magic, whimsy, and profundity.
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KAIROS


What starts off a meet-cute romcom ends up something a good deal more thought-provoking and profound in Kairos, Lisa Sanaye Dring’s intriguing examination of love, life, and the search for eternal youth, now getting a terrifically acted East West Players’ World Premiere.
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MONSTERS OF THE AMERICAN CINEMA


What starts out a sitcom-style two-hander about a precocious teen being reared by his late father’s gay black husband ends up something far darker and deeper and more powerful in Christian St. Croix’s Monsters Of The American Cinema, the latest in a string of world-class Rogue Machine winners.
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