Posts Tagged ‘Los Angeles Theater Review’

JERSEY BOYS


The wait is over! Twenty years after its La Jolla Playhouse debut and five years after a handful of U.S. theaters were finally given the rights to stage it regionally, Jersey Boys at long last gets the homegrown production SoCal audiences have been waiting for, and a spectacular one it is at the La Mirada Theatre for the Performing Arts.
(read more)

TWELFTH NIGHT


Actors Co-op gives L.A.’s top-of-the-line classical theater companies some stiff competition with their irresistibly entertaining, tunefully tropical take on Twelfth Night, William Shakespeare’s timeless tale of star-crossed twins, mismatched lovers, and zany fools.
(read more)

JEKYLL & HYDE THE MUSICAL


Justin Meyer’s spectacularly sung and acted Henry Jekyll and Edward Hyde, Cassandra Caruso and Rachel Franke’s breakout star turns as the women in their lives, and a look inspired by such Hollywood monster movie classics as Frankenstein, Dracula, and The Wolf Man make The Nocturne Theatre’s in-the-round staging of Jekyll & Hyde The Musical a song-and-thrill-packed treat.
(read more)

HIGH MAINTENANCE

Christian Prentice dazzles as a state-of-the-art robot about to star as Torvald in Ibsen’s A Doll’s House opposite TV diva Ivy Khan’s Nora in Peter Ritt’s High Maintenance, an initially captivating Road Theatre World Premiere that fails to live up to expectations in its romance-derailing, credibility-straining final scenes.
(read more)

OPHELIA


Award-winning writer-director-actor-designer Stefan Marks is back, and wearing all four hats at once, with Ophelia, his latest blend of theatrical magic, whimsy, and profundity.
(read more)

KAIROS


What starts off a meet-cute romcom ends up something a good deal more thought-provoking and profound in Kairos, Lisa Sanaye Dring’s intriguing examination of love, life, and the search for eternal youth, now getting a terrifically acted East West Players’ World Premiere.
(read more)

MONSTERS OF THE AMERICAN CINEMA


What starts out a sitcom-style two-hander about a precocious teen being reared by his late father’s gay black husband ends up something far darker and deeper and more powerful in Christian St. Croix’s Monsters Of The American Cinema, the latest in a string of world-class Rogue Machine winners.
(read more)

FAT HAM


Risk-taking, rule-breaking, exuberant joie de playwriting won James Ijames the Pulitzer Prize for his contemporary comedic queer African-American take on Hamlet, Fat Ham, now blowing audiences’ minds at the Geffen Playhouse.
(read more)

« Older Entries « Older Entries